Roman Silver Openwork Lunar Pendant

A gold finger ring with large cell forming the bezel, foliage detailing to the flared rim, inset cameo female mask in three-quarter view, hoop split. 2.15 grams, 20.20 mm overall, 12.55 mm internal diameter



UK private collection. with Bertolami Fine Art, London, 22 April 2022, lot 197. English private collection.

A restrung necklace composed mainly of 'black' stone and glass beads of various types and sizes, with a trio of larger pendant beads. 5.02 grams, 82 cm long



Acquired 1980-2015. Ex Abelita family collection.

A carved marble herm boundary marker carved in the round as the bust of an adult male wearing a conical cap and with a full beard; dorsal pillar terminating behind the head. 7.3 kg, 31.5 cm high



French collection, 1960s-early 2000s. From an important Paris gallery, France. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11629-199364.

Possibly an architectural element or herm: herma (Ancient Greek: ἑρμῆς, usually called a 'herm' in English), is a sculptured stone block with a head and often a chest above an undecorated lower section on which male genitals may additionally be carved. From the Neolithic period onwards, in parts of Europe, divinities were worshipped in the form of either a heap of stones (cairn) or a wooden column. Piles of stones were created beside roads and at the borders of fields as they were cleared of pebbles, and religious respect was shown through the custom of each passer-by throwing a stone on the heap or offering a libation. In due course, the addition of a carved head (and phallus) to the column encouraged the belief that these monuments were especially favoured by divinities.