Roman Silver Bowl

Each with a hollow-formed crescentic hoop, piriform plaque with inset glass panel and granulated border, hollow-bulb cluster beneath with three applied piriform plaques and granule finial. 9.26 grams total, 37-38 mm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12393-226929.

As a result of the expansion of the Roman Empire, jewellery became more and more elaborate in its designs and materials used, such as precious and semi-precious gemstones. This pair of earrings represent a highly baroque evolution of the boat-shaped type, already visible in Etruscan jewellery and certainly in Roman jewellery, as demonstrated by the excavations of Herculaneum. Using the body of the boat-shaped earrings, the late Imperial artist added decorative clusters and applications of pearled borders and precious stones, according to the taste of Eastern Hellenism rooted for centuries in the provinces of the Black Sea and Roman Asia.

Featuring a D-section hoop with substantial angled shoulders, a small circular bezel with a pair of corn stalks(?). 6.84 grams, 29.26 mm overall, 13.90 x 17.39 mm internal diameter (approximate size British H 1/2, USA 4, Europe 6.81, Japan 6)



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

Hollow-formed figure of a servant with grotesque facial features, pointed cap and a short tunic, carrying a pouch in the right hand and shoulders an overflowing fruit basket on the left; a large recess between his legs may be for the insertion of an oversized model phallus; pierced lug to rear of neck for suspension. 286 grams, 17.5 cm



Acquired from Galerie Puhze, Freiburg, between 2002 and 2010. From the collection of R. L., Lower Saxony. Ex Gorny & Mosch, auction 300, Munich, no.75. Accompanied by a certificate from Galerie Günter Puhze and a German export licence.

Grotesque and exaggerated figurines were produced in late Hellenistic times, especially in Alexandria. The artisans, fascinated with realism, started to reproduce scenes and figures from daily life, and seemed to have a preference for emphasis on ill and deformed persons. The characters with caricature features are usually referred to as grotesques.