Roman Pale Blue Glass and Other Bead Necklace String

With a hollow spherical body decorated with slightly concave petals radiating from each end, separated by a central grooved band; one end with a tapering funnel marked by horizontal grooves, the other with a short tapering neck and a wide rim. 356 grams, 29.5 cm



Old Austrian private collection, 1980s. Accompanied by a copy of a nine-page examination report number 154/2026 by Dr habil Mikhail Treister. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12905-242699.

Comparable instruments, usually called clepsydra in Greek and infundibulum in Latin, were in use in the 5th – first half of the 4th centuries B.C. A total of 13 such objects, or clepsydra, are known, including two of the unknown origin), represented by the finds both from Central (Lazio) and South (Campania, Calabria and Basilicata) Italy, Illyria (Apollonia) and Central Greece (Boeotia, Phocis) (all made of bronze), from the Taman peninsula in the North Pontic area, a fragmented one – from the Ulyap kurgan necropolis in the Trans-Kuban region and a silver piece from an aristocratic Thracian burial in the Plovdiv region. A distinctive feature of all these metal objects is the combination of a narrow vertical tube, at the lower end turning into a container with holes in the bottom.

Openwork body composed of four pelta-shaped motifs radiating from a central lozenge; pin and catch on the reverse. 10.6 grams, 37 mm



From the private coin collection of a West London, UK, gentleman, formed since the mid 1980s.

Carved in the half-round on a sapphire crystal showing striations on the reverse, depicting the upper body of Serapis/St John with modius and pleated tunic, eagle with spread wings placed on the chest. 5.06 grams, 23 mm



Acquired circa 1980. Property of a Middlesex gentleman. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13351-255640.

This is a prime example of late antique or early medieval spolia, where a pagan motif was converted into a Christian one with minimal mental or manual adaptation into a visual fusion of Serapis and Saint John. During the Roman Empire, especially in the 2nd and 3rd centuries AD, depictions of the 'bust of the God Serapis standing on an eagle' were extremely popular. The eagle symbolised Jupiter-Serapis, as well as Roman power. When the Empire became Christian, this combination was immediately recognised as the Evangelist John, accompanied by his symbol, the eagle. The modius (kalathos) symbolised fertility and dominion over the underworld when placed on Serapis's head. However, it was often incorrectly (or deliberately) interpreted by Christian observers as an early form of a crown, halo, or priestly headdress. As sapphire is extremely difficult to work with, the modius was often left standing, emphasising the figure's imperial or divine dignity. There are documented cases of this kind. Most famous example: 'Gem of Serapis' (Cab. Méd., Paris), or the reinterpretation of depictions of Jupiter as God the Father. During the Christianisation process, pagan gods with beards and eagles (Jupiter/Serapis) were reclassified as John the Evangelist or Christ himself en masse.