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LOT 0672
Roman Orange Glass Bead Necklace String
1ST-4TH CENTURY A.D. AND LATER
15 in. (8.01 grams, 38 cm).
Composed of gently graduating beads with larger beads as a central feature, restrung. [No Reserve]
ProvenanceEx London, UK, collection, 1990s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Roman Glass Bottle
3rd-4th century A.D.Estimate: £150 - 200 (+bp*)
Opening Bid: £83
Mould-blown bottle comprising a flat-based tubular body and short neck with returned flange rim. 94.2 grams, 14 cm
From an important London collection of glass, 1990s.
Most of similar examples of Roman bottles have been found in the Eastern Mediterranean. Earliest examples have been found in Roman Lusitania (Pombalinho-Santarem). The type lasted until the 4th century A.D. (Samaria-Sebaste, Israel). -
Roman Bronze Lion's Head Mount
1st-4th century A.D.Sold for (Inc. bp): £205
A heavy mount formed as a lioness with an open mouth and lolling tongue, a collar around the neck; a circular socket inside. 244 grams, 75 mm
From the private collection of a European gentleman (1942-2024), formed since the 1970s. -
Roman Silver Pin with a Figure of a Standing Woman
2nd-3rd century A.D.Sold for (Inc. bp): £624
Comprising a tapering body with a Corinthian capital finial, a standing female figure atop the capital, dressed in long robes. 16 grams, 98 mm
Acquired in the 1980s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.
The pin seems to belong to the group 18 of the Cool's classification. The treatment of the figures in these pins varies greatly, including both the very 'Celtic' looking face on a pin from Cirencester and a Graeco-Roman figure type of Venus standing on a Corinthian capital from London. This great diversity of treatments clearly suggests that these pins were the occasional products of a wide variety of workshops.
