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Details
LOT 0099
Roman Nude Crouching Woman Gaming Piece
3RD CENTURY A.D.
1 1/8 in. (30.4 grams, 28 mm high).
A bronze figure or gaming piece of a nude female in crouching pose with hands placed on the hips, possibly giving birth; the hair shown drawn up in a bun, segmented armband to each upper arm.
Provenance
Private Swiss collection, acquired 2002.
Literature
Cf. Rolland H., Bronze Antiques de Haute Provence, Paris, 1965, p.102, no.188, for similar nude male figure.
Footnotes
The dice features six attitudes on which it could land when rolled, one of which includes the figure's head.
The earliest concrete historical evidence of games played with dice originated from ancient Egypt, circa 3000 B.C., although it is generally believed by historians that dice pre-dated the ancient Egyptian civilisation.
The Romans played two games using dice: Tali and Tesserae. The former originated in Greece and features four animal bones. The aim was to roll in such a way that each die displayed a different number-the higher the combined number, the greater the score. The latter was played using three dice, the goal being to roll triple six, or to achieve the highest combined numbers out of the contestants; it was a game of chance and the most common street and tavern gambling game in ancient Rome. ‘Dogs’ referred to poor scores and ‘Venus’ to high ones.
Roman players rolled dice from a special cup called a fritillium onto wood, bronze, or marble boards, depending on their class and wealth. Roman elites boasted ornate boards inscribed with their names. The gambling which ensued from dice games caused extreme social issues in Roman society, leading the government to eventually outlaw dice games, although these laws were largely ignored.
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The upper part of the head, cut horizontally, creates a semi-circular surface, on which the rest of the hair, or an architectonic capital, may have been mounted. A T-shaped indentation on that surface served to secure that attachment. The back of the head, cut perpendicularly, proves that the head was made to repose on an architectural surface. The fragmentary preservation of the neck does not allow a clear determination, whether we are dealing with the head of a caryatid, i.e. the head of a sculpture in the function of a pilaster, or whether the colossal head was an architectural stone corbel, i.e. an architectural element that was placed for the support of the sima of a building of great size.