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LOT 0110
Roman Marble Head of Jupiter
1ST-2ND CENTURY A.D.
4 1/4 in. (574 grams, 10.5 cm).
Modelled in the half-round with luxuriant curls to the hair and beard, strong nose and brow with lentoid eyes; undercut modelling to the nose, mouth and hair; large mounting socket to the right side of the brow and smaller beneath the chin.
ProvenanceThe father of Christopher Frederick, a general practitioner based in Brighton, East Sussex, who acquired it prior to 1969.
Thence by descent to his son, Christopher Frederick, Brighton, East Sussex.
Acquired from the above by the present owner.
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AUCTIONS:
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Roman Garnet Gemstone with Fly
2nd-3rd century A.D.Sold for (Inc. bp): £195
Dark purplish-red round cabochon with a fly or another flying insect, striated body and four pairs of legs. 0.56 grams, 9 mm
From the private collection of a European gentleman (1942-2024), formed since the 1970s. -
Roman Mosaic Glass Fragment Collection
1st-4th century A.D.Sold for (Inc. bp): £338
Comprising various polychrome fragments, one showing intricate flower details. 64.5 grams total, 15-66 mm
Acquired on the European art market. -
Roman Marble Left Foot from a Sculpture
2nd century A.D.Sold for (Inc. bp): £3,900
Comprising an elegantly carved lower part of the calf and foot, a detailed rendering of the toes; the proportions suggesting that the subject was a child or a young woman; mounted on a custom-made display stand. 771 grams total, 15 cm high including stand
Nicolas Koutoulakis (1910-1996), thence by descent. Ex Galerie Dominique Thirion, Brussels, 1990s. Private collection of Mr K.A., France. with Kallos Gallery, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13010-246748.
The foot was a prominent feature on sculptures: more susceptible to weathering and the ravages of time than a head or a torso, the fragments that survive are often badly damaged. It is also possible that this piece belonged to a sculpture created via the acrolith technique, in which the sculptor focused his attention solely on the unclothed parts of the figure, which were made from a more valuable material than the rest of the piece.