Roman Marble Eagle Head

Decorated with a frieze of partially preserved acanthus volutes from which emerges a figure of a winged female, possibly a siren, the body and the head of a woman with brown hair, the outstretched wings in pink and yellow; ochre background, cream-coloured line border with a green raised edge (part of the wall) below; mounted on a custom-made display stand. 979 grams total, 16 cm high including stand



From a European collection formed in the 19th century or earlier, based on the custom-made tooled leather box similar to another fragment kept in a case of similar manufacture with a label reading 'Fragment de Pompéi provenant de la vente Préat 1868' sold at Sotheby's New York, 12 December 2013, lot 84. Mitsukoshi department store, Nihonbashi, Tokyo, by 1974. Japanese art market, 1974-1978. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no 11828-207723.

This painted stucco was probably part of a decorative frame. Such decorations can be seen on the famous Villa of Oplontis, where the painted walls of the Triclinium nr. 14 have been divided thrice by columns with a sphinx as ornament on the top of the pillar, decorated with acanthus scrolls and sirens beneath the sphinxes.

With three extendable legs each topped with bust of Bacchus, his long hair collected in a crown of vine leaves and branches, wearing a panther skin exomis; the feet formed as feline paws; the middle part of the frontal leg formed as an S-curve topped with a panther's head with open jaws. 9.9 kg, 101 cm

Traces of gilding over all the whole surface, fine condition, restored, excessively rare.

Ex collection of Dr Djafari (1900-1981), Kaiserslautern, Germany. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11801-206499.

Folding tripod stands were well known in the ancient world, in both Greek and Roman contexts. These folding supports for tables, bracers and cauldrons are known finds from important excavations in the Roman world, like Pompeii. The purpose of such folding stands varied: during the meal they were placed between the triclinary beds, and bowls and application plates were hung to the hooks at the back of the holders, here shaped like the heads of a Bacchus. They were also used for the fire in military encampments, or in the temples of the gods. Others were used as the support frames for bronze bowls, either for washing or for ritual purposes. Many were offered as funerary gifts, like the splendid example in the chariot grave of Környe. Roman folding tripods were also used in religious rituals (here clearly linked to the cult of the god of wine, as shown by the presence of panthers) and sacrifices. Burnt offerings and libations were offered to the gods in cauldrons that would have been attached to the hooks behind the heads on the upper section.

The intaglio with a donkey (mule?) grazing, body facing right; Latin inscription on the verso ‘EVM’ (him). 0.98 grams, 12 mm



Acquired in the late 1980s-early 1990s. Important North West London collection.

Donkeys were used by the Roman army from circa 200 B.C. but mules, the hybrid offspring of a male donkey and a female horse, were to become the most important working animals for the military and were used to pull heavy artillery such as catapults. It has been estimated that there were probably half a million mules serving in the Roman army by the time of Augustus (31 B.C.-A.D. 14). DNA studies have now shown that mules may have comprised up to 50% of the equids in the Roman Empire. The use of pack-mules for the army continued in the Eastern Roman army until the fall of Constantinople.