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LOT 0624
Roman Key Ring Group
1ST-4TH CENTURY A.D.
3/4 - 7/8 in. (13.9 grams total, 19-23 mm).
A trio of bronze key rings with rectangular bits, including an openwork example. [3, No Reserve]
ProvenanceAcquired in the 1970s.
Important European collection.
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AUCTIONS:
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Romano-Parthian Female Bone Idol
3rd century B.C.-2nd century A.D.Estimate: £1,200 - 1,700 (+bp*)
Opening Bid: £480
A bone doll depicting a female figure with elaborately tied hairstyle, semi-naturalistic facial and anatomical detailing and geometric detailing to the garment wrapped around her lower body; stub arms; copper-alloy rivets to the shoulders. 77 grams, 19 cm high
with a London, UK gallery 1971-early 2000s. -
Roman Gilt Silver Openwork Lettering Group
3rd-4th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
A gilt-silver openwork bar displaying the Latin word 'VIVA'; the A now separate. 0.53 grams total, 6-13 mm
Acquired in the late 1990s-2000. Property of an East London gentleman. -
Roman Marble Head of a Young Woman
2nd century A.D.Sold for (Inc. bp): £16,900
A skilfully carved life-size marble head of a female (possibly Artemis, a Muse or an Amazon) with centrally parted hair composed of wavy strands and tied in a ponytail at the back; serene facial expression, almond-shaped eyes and small mouth with slightly parted lips; some restoration; mounted on a custom-made display stand. 14 kg total, 38 cm high including stand
Ex private collection, Monaco, 1960s-1970s. Acquired from the Monaco Fine Arts on 4th November 1992. Private collection of Mr & Mrs Daniel, Monaco. Acquired by the present owner from David Aaron Gallery in 2019. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by searcher certificate number no.11569-197722.
The youthful head seems to be based on the Greek Attic Artemis Colonna type of the 4th century B.C. The composition of the head is powerful with a serene countenance, its physiognomy replete with the idealised quality characteristic of Greek classical sculpture. This classic influence is best seen in the perfect almond- shaped eyes with their sharply carved lids as well as the smooth contour of the face. The rich handling of the coiffure and the smooth quality of the face can suggest a date sometime during the Hadrianic (117 to 138 A.D.) or early Antonine periods.
