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LOT 0309
Roman Iron Spatha with Remains of Scabbard and Chape
4TH CENTURY A.D.
2 1/2 - 37 1/4 in. (1.02 kg total, 6.5-94.5 cm).
With a double-edged blade of Illerup-Wyhl Type, narrow parallel cutting edges tapering towards the point; remains of wooden scabbard on the blade and remains of wooden grip on the hilt; accompanied by a crescent-shaped iron chape. [2]
ProvenanceFrom the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11924-209661.
Cf. Bishop, M. C. & Coulston, J.C.N., Roman military equipment, from the Punic wars to the fall of Rome, London, 1993; Miks, C., Studien zur Romischen Schwertbewaffnung in der Kaiserzeit, I-II Banden, Rahden, 2007; D’Amato, R., Roman army Units in the Western Provinces, Oxford, 2019; for a very similar specimen see Miks, 2007, no.A146, 67 (Eisbøl).
FootnotesThe iconographic sources indicate that Roman swords changed in the later 2nd and 3rd centuries A.D. Longer swords, which were more popular within Germanic and Celtic cultures and more useful for fighting on horseback, were soon widespread among infantry units and mass-produced in the Roman workshops. They were brought home by foreigners after mercenary or auxiliary service in the Roman army. This, together the possibility of war booty, may explain why a great number of these swords have been found in the distant areas such as Nydam Mose, Eisbøl and Illerup Adal, all in modern Denmark.
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AUCTIONS:
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Bactrian Bronze Ceremonial Claw Mace
2nd-1st millennium B.C.Sold for (Inc. bp): £117
Egg-shaped with spiked sleeves or prongs, the top of the weapon with narrow edge, the sleeves with small internal tangs for mounting. 237 grams, 14 cm
Acquired 1980-2015. Ex Abelita family collection.
The 'claw mace' was an enigmatic ancient bronze weapon from the Bronze Age Near East. The hollow bulbous head was trailed by tines of varying lengths. It is believed that it was affixed over a wooden shaft and used like a club in combat, and not necessarily used as ceremonial weapon. The knife edge bulb end could have broken bones and proven to be a formidable striking weapon requiring no skill to wield. The tines would have not only been decorative, but have served to add strength below the striking end to prevent breakage. In battle, maces were often used by commanders to display rank when giving orders in battle and leading soldiers, inspiring leadership and power. -
Avar-Byzantine Silver-Gilt Sword Belt Mount Group
7th-9th century A.D.Sold for (Inc. bp): £156
Comprising three belt mounts later remounted onto brown leather comprising: a rectangular strap end with rounded terminal, decorated with granulated borders, lozenges and chevrons; two roughly D-shaped mounts with apex flourish and waisted sides, also decorated with granulated lozenges and chevrons. 26.5 grams, 12.2 cm long
Fine condition.
Acquired in the 1980s-1990s. Ex an important central London gallery, London W1.
This type of belt element, decorated with granulation, is present in the Avar graves of the second half of the 7th century, and was most likely produced in the workshops of the Eastern Roman Empire, from where they reached the Avar lands as imperial gifts (tomb of Kunbàboni) or spoils of war. They were part of multiple belts, to which sabres and knives were attached, commonly used among Avars, Bulgars and Romans during the 7th and 8th centuries A.D. -
Byzantine Iron Horse Bit
14th-15th century A.D.Estimate: £150 - 200 (+bp*)
Opening Bid: £83
Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman. 340 grams, 19.5 cm
Fine condition.
Collection of Dr. Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s. From an important private Dutch collection.
This type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of the 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins.
