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LOT 1002
Roman Iron Artefact Collection
1ST-4TH CENTURY A.D.
1 - 3 1/8 in. (81 grams total, 25-80 mm).
Comprising: a firesteel, a ring, and a bow brooch. [3, No Reserve]
ProvenanceEx German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
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AUCTIONS:
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Bronze Roman Coin and Framed Limited Edition Print
3rd century A.D. and laterSold for (Inc. bp): £20
The coin of Constantine the Great (272-337 A.D.) mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 204/1150. 1.26 kg, 49.5 x 37.5 cm
UK gallery, early 2000s. Accompanied by a previous numbered certificate of authenticity.
David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist. -
Roman Gold-Plated Bronze Ring with Bust of Minerva
1st-2nd century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Integral scaphoid bezel with female bust modelled in the round. 4.23 grams, 24.14 mm overall, 17.40 mm internal diameter (approximate size British G, USA 3 1/4, Europe 4.92, Japan 4)
Private collection, UK. Acquired on the English art market. -
Roman Bronze Oil Lamp with Masks
1st-2nd century A.D.Sold for (Inc. bp): £1,170
With an elongated body, long nozzle with a rounded tip; raised rim to filling hole with hinged lid bearing a mask with sockets to the eyes for silver inserts; handle curved and terminating in a female mask with hair dressed in tiers, eyes recessed to be inlaid with silver; broad nozzle with cup and raised rim; socket to underside for mounting on a stand. 560 grams, 15.5 cm
From the collection of a gentleman, acquired on the London art market in the 1990s.
The lamp is crafted in a very fine style, probably in a classical form from the 1st or 2nd century. It belongs to a type known and widespread in the Mediterranean, with parallels in Paris, Madrid, the museums of Cadiz, Tarragona, and Aquileia.
