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LOT 0776
Roman Green Glass Bead Necklace String
1ST-4TH CENTURY A.D. AND LATER
16 in. (19.3 grams, 40.5 cm).
Composed of mixed graduated beads with larger beads as a central feature; restrung. [No Reserve]
ProvenanceFrom the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For similar green Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs.3a, 4,5,7.
FootnotesIn the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones).
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Roman Gold Amulet Case
4th-5th century A.D.Sold for (Inc. bp): £195
Composed of a cylindrical body with a domed cap to one end, spherical suspension loop with filigree decoration. 0.64 grams, 12 mm
From the collection of a late Japanese collector, 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
This jewel clearly shows the late-Antique taste for elaboration and bright colour which had been evolving since the 3rd century AD. Most of these items were the products of a single workshop, quite possibly in provinces like Britain. -
Roman Bronze Gladiator Figure
1st-4th century A.D.Sold for (Inc. bp): £117
Sheet-bronze silhouette figure of a gladiator in murmillo helmet; mounted on a display stand. 26.6 grams total, 41 mm
Ex London, UK, gentleman 1980-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Large Roman Bronze Statue of Venus
1st-2nd century A.D.Sold for (Inc. bp): £7,800
Modelled in the round, the goddess standing nude on a socle base and holding a frond in her extended left hand; right hand with thumb and forefinger extended; crown of oak leaves encompassing her chignon. 996 grams, 27.3 cm
with Sotheby's, New York, 7 December 1973, no.78. Private collection, London. Accompanied by copies of the relevant Sotheby's catalogue pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12819-241350. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Venus Anadyomene shows the birth of the Goddess of Love, conceived in the womb of the sea after the Titan Chronos castrated his father, Uranus, and cast his genitals into the water. Venus was born from the sea, fully grown. In ancient tradition, Aphrodite had her great sanctuary at Paphos, because it was here that she was thought to have risen from the water. Apelles, the great painter, was said to have painted the original, creating the prototype then imitated in paintings, sculptures, and across Graeco-Roman iconography. However, his work is now lost, and from the late 2nd century/early first century B.C. until the late antique period, the Anadyomene appeared in nearly every format imaginable. Like many other naked Aphrodites, the Anadyomene was not posed to conceal the body, but was naked and unashamed, exposing the goddess’ body to the gaze of the viewer.
