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LOT 0142
Roman Gold 'Bunched Grape' Jewellery Set
1ST CENTURY A.D.
1 - 1 1/4 in. (8.83 grams total, 24-32 mm).
Group of three gold pendants comprising: two formed as a cluster of granules with three lobes, larger granule to each apex and coiled wire suspension; one of similar profile, larger with filigree lines and coils to both faces, trumpet-shaped finial with loop; two repaired; housed in a custom-made display case.
ProvenanceAcquired in the late 1980s-early 1990s.
Private collection, London, UK.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12812-241415.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. De Ridder, Les bijoux et les pierres gravées, Paris, 1911, no.568, pl.2, 572, pl.3; Pollak, L., Klassisch-Antike Goldschmiedearbeiten im Besitze Sr. Exc. des Herrn von Nelidow in Rom, Leipzig, 1903, no.74, pl.8 (similar, late Hellenistic, with heads of Maenads); Piatischewa, ‘Juwelirnie Isdelija Chersonesa (Jewelry of Chersonesos)’ in TGIM Pamjatniki Kulturi, 18, 1956, p.49, pl.8, 11.11a; Greifenhagen, A., Schmuckarbeiten in Edelmetall, Banden I-II, Berlin, 1970, band II, no.4, p.66.
FootnotesTypologically related earrings were particularly common in the Caucasus, where they have been dated by archaeologists to the first centuries A.D. This was mainly a product of Hellenised workers of the area of Pontus or Asia Minor, and the material culture of the Greek cities of the North Pontus region was completely absorbed by their new Roman rulers and largely diffused in style and orientation in the Eastern Roman provinces.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Modelled in the round and finely detailed, the goddess standing with a cornucopia in the crook of her left arm, wearing a floor-length palla. 18.48 grams, 39 mm
Acquired in the late 1980s-early 1990s. Private collection, London, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Bronze Gladiator Figure
1st-4th century A.D.Sold for (Inc. bp): £117
Sheet-bronze silhouette figure of a gladiator in murmillo helmet; mounted on a display stand. 26.6 grams total, 41 mm
Ex London, UK, gentleman 1980-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Agate Cameo of Augustus
1st century A.D.Estimate: £25,000 - 35,000 (‡+bp*)
Opening Bid: £11,111
Ellipsoid cameo with profile portrait bust in antique gold pendant frame with surrounding cabochons: emerald, sapphire, ruby - and clusters of pearls; marked to reverse '750', in a rectangle 'Bd G' (believed to be an upstate New York jeweller's stamp) and an indeterminate third mark; supplied with a custom-made display stand. 99 grams total, 92 mm including stand, pendant: 50 mm
American collection, early 20th century, New York. with Robert Haber Gallery, New York, 1990. Ex Jean Clostre, Geneva, Switzerland. Accompanied by a scholarly report by Dr Ittai Gradel. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12223-222312. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Dr Ittai Gradel says: 'The cameo, of exquisite technical quality, has a close parallel in the Cabinet des médailles, Paris .. The TimeLine auction cameo is not, however, an exact copy .. though details are so close to the larger Paris cameo that the same gem carver, or at least workshop, probably produced both.'