Roman Glass Flask with Wavy Lines

The muse standing on a baseline with her head in profile, resting her left arm on a cithara, carrying a laurel branch in her extended right hand, the weight of the body resting on the right leg. 0.77 grams, 14 mm



Acquired in the late 1980s-early 1990s. Important North West London collection.

The muse is Euterpe, the muse of music as well as lyrical poetry. The motif can be related to numerous representations of Apollo, in which he appears leaning on a column on which the lyre or tripod is placed. It is a serial representation, based on statuary prototypes, which were widely copied by Hellenistic-Roman artisans, where the figure of Apollo, here, is transformed in that of the muse of music.

The gammadion motif to the oval bezel, set against an enamelled field; the small hoop with a break. 1.75 grams, 14.14 mm overall, 10.02 mm internal diameter



Private collection formed since the 1940s. UK art market. Property of an Essex gentleman.

Comprising five with round-section bodies and squared terminals; the surfaces decorated with engraved lines and dots. 68 grams total, 64-65 mm



From the family collection of a Surrey gentleman since before 1960.

Bracelets were worn in Rome by ladies of rank, but it was considered a mark of effeminacy for civilian men to use such female ornaments (Suetonius, Caligula, 52; Nero, 30). The armillae (or psellia in Greek) were rings and bracelets worn by women in the Graeco-Roman world on both legs and arms. Homer mentions them (elikas) as being part of the hairstyle of the divine Aphrodite, thus giving an almost sacred character to these objects. There were different types, the most common consisting of a more or less thick metal wire, or a flat or cylindrical circle, like our examples.