Roman Glass Flask with Trail

Carved in the round as a bust of a child with youthful face, wide cheeks, slightly opened mouth with full lips, almond-shaped eyes, chipped nose; curly hair combed on the top of the head; mounted on a custom-made display stand. 9.95 kg total, 34 cm including stand



Collection of Mr and Mrs A., in their private mansion near the Champs-Élysées; thence by descent. Acquired on the French art market, 2024. Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13109-249674.

The finely sculpted head represents a young child, probably intended as Eros (Cupid). Such depictions were produced in numerous variations to illustrate the stages of childhood and the capacity of children to undertake meaningful or symbolic actions. The softly modelled features and gentle expression recall the celebrated work of Boethos', The Boy Strangling the Goose, as well as the widespread images of Eros and the Erotes found throughout Graeco-Roman sculpture and painting. In Graeco-Roman art, representations of children occupied an important and evolving role. Initially, youthful figures were portrayed as miniature adults, but from the 4th century BC onwards - particularly during the Hellenistic and Roman periods - artists began to study children’s anatomy more closely, reproducing their characteristic proportions and expressions with naturalistic sensitivity. The figure of Eros, the constant companion of Aphrodite, became the quintessential model of the child in ancient art, identifiable by his traditional attributes of wings and bow. As evidenced by numerous statuettes and wall paintings unearthed at Pompeii, scenes of childhood were among the most popular subjects for adorning the gardens and interiors of wealthy Roman villas. These figures appear in lively and varied activities - playing, working, performing, or interacting with animals such as birds, hares, and dolphins - celebrating both the charm and vitality of early life within an idealised artistic vision.

Ellipsoid plaque with reserved stag grazing, one hindleg raised to the flank. 1.09 grams, 16 mm



Private English collection, formed between the late 1970s and early 1990s. Private collection, London, UK.

The surface is burnt, hence the colour change.

Hollow-form pendant with applied granules and wire decoration. 1.25 grams, 24 mm



Ex London, UK, gentleman's collection, 1980-1990s.

The object finds a good parallel with a pendant of the same shape forming part of a remarkable hoard of late-Roman gold jewellery and silver tableware found near Thetford, Norfolk, in 1979. The jewellery included necklaces and clasps, five pendants, and four bracelets. One pendant takes the shape of a Hercules club, a design often used for earrings.