Roman Glass Flask with Tall Neck

A mixed group of ceramic bullae, tesserae or theatre tokens bearing low-relief motifs, mainly consisting of profile busts of deities. 31.5 grams total, 13-21 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

The term 'tessera' was used in Roman times to convey the Greek term σύμβολον (token). Small tiles are known as tokens, often shaped like coins, made of metal (copper, lead, iron), clay, bone, wood, or glass, stamped as well as engraved. The tokens, however, are not exclusively coin-shaped, as the Latin term 'tessera' suggests by etymologically referring to a square or at least a four-sided shape and confirmed in several cases by material remains of the past. Tokens and tesserae seem to have been used both in Athens and Rome for the distribution of goods. According to written sources, the term token is identified with credentials of the official authorities. They have also been interpreted as tokens of identity, as entrance tickets to theatre performances, tribunals or assemblies of citizens, archival material of seal engraving, as pawns in games, Charon’s obols and even as amulets.

Comprising a piriform body and a lug handle to the rear, the discus with two filler holes and a raised rim extending to the nozzle, a leaping lion facing towards the handle at the centre, concentric rings at the base and a raised line flanked by dotted bands beneath the nozzle. 180 grams, 12.4 cm



From a UK collection formed in the 1980s. Property of an Essex, UK, gentleman.

A hollow-formed bronze oil lamp with two scooped nozzles, a ring handle with a heart-shaped finial. 140 grams, 10.3 cm



London gentleman's collection, 1970-1990s, by descent.