Loading, please wait...
Details
LOT 0143
Roman Geometric Floor Mosaic
CIRCA 1ST-4TH CENTURY A.D.
61 1/4 in. (82.5 kg, 156 cm wide including frame).
Fragment or portion of floor mosaic, showing a composition of alternated patterns of different coloured squares in chequerboard pattern, combined in diagonal rows of light yellow, light blue, off-white, pink, red, light violet, again off-white, light grey, light grey, dark grey, off-white, light yellow (repeated two times) light blue and off-white shadows; on the lower part a red line is edging the composition over an off-white band. [No Reserve]
Provenance
Acquired 1970s-1996.
Property of a North American collector.
London collection, 2016.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11822-207409.
Literature
Cf. Ling, R., Ancient Mosaics, London, 1998, p.114 (Mosaics from Ampurias, Spain) for parallel; Arce, J., Ensoli, S. & La Rocca, E., Hispania Romana. Da Terra Di Conquista a Provincia dell'Impero, Venezia, 1997, p.314, fig.3 (Mosaic of Quintanilla de la Queza).
Footnotes
The square-decorated mosaics had a strong presence in the Hispanic provinces, with some 1st century A.D. examples in the houses of Ampurias, up to the late imperial examples of the Villa of Palencia (archaeological site of La Tejada) where the main rooms show wall paintings with geometric, vegetal or decorations imitating marbles, and mosaics with simple geometric decorations alternating with elegant decorative motifs such as swastikas, chequered motifs or ropes, and Solomonic symbols. The chequerboard motif was widespread, and it is visible also in the 3rd-4rd century mosaic of the Roman Villa of Brading or in the house found under the Museum of Lincoln, in Britain.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Roman Terracotta Triple-Spouted Lamp
Circa 2nd-1st millennium B.C.Sold for (Inc. bp): £598
An oblong vessel with three spouts and palmette reflector handle with pierced lug below to reverse; raised and notched discus; accompanied by a custom-made display stand. 209 grams total, 15 cm high including stand
From the collection of the German specialist Arno Jumpertz, Leverkusen, Germany, 1924-1984. Most of the collection was exhibited at Neus museum in 1985. -
Roman 'Thames' Bronze Medical Implement Group
1st-4th century A.D.Sold for (Inc. bp): £65
Group comprising: tweezers; spatula probe or spathomele; spatula. 13.2 grams total, 4.6-15 cm
Found Billingsgate spoil from the Thames foreshore, London, UK. -
Roman and Later Bronze Artefact Group
3rd-4th century A.D. and laterSold for (Inc. bp): £130
Comprising various figures and mounts including: a sheep, a fly, a peacock, an anthropomorphic head, a mount with a lying feline and a crouching figure. 94 grams total, 18-40 mm
Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance.
In the art of late antiquity and early Christianity, during the Christian Middle Ages to the present, peacock held a prominent place, not only as a decorative motif, but also as a distinctive emblematic and symbolic sign. Its image was usually combined with a kantharos or a tree of life. Individually or in pairs, it was usually represented on places which were the ones closest to the holiest part of churches (altar’s parapet wall panels). Votive statuettes were brought in the church by the believers.