Roman Decorated Glass Pendant Group

A contemporary pair of clay coin dies used to manufacture coin forgeries, the working faces depicting a gold aureus or silver denarius of Emperor Severus Alexander, with incuse and reversed legends; each counterfeit die with inscribed numbering to verso [(((( LXIIII = 64]; accompanied by a clay crucible excavated at the same time with inked inscription to the underside: 'Arch.-Nr. / 6612-1975', another object that would have been required in the casting process of manufacturing of fake coins. 86.86 grams total, 44-58 mm

1 - 1 1/4 in.

In a private collection of Roman objects since 1975. Accompanied by a copy of a letter and schedule addressed to the Director of the Library Faculty of Kamp-Linfurt, a branch of Stadsparkasse Duisburg regarding the loan of the forger's die and crucible for exhibition, dated 13 December 1993.

Towards the end of the 2nd century and the early 3rd century A.D. the quality of Roman coinage began to be altered. Probably from the beginning of the reign of Severus Alexander, forgers were tacitly allowed by the Roman government to issue counterfeit coins. There are many ancient coins of this emperor that appear to have been cast in moulds. Most of these moulds would have been employed by forgers, and the dies were normally destroyed quickly after use in an effort to dispose of the evidence.

The coin mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 175/1150. 1.24 kg total, 49.5 x 37.5 cm



UK gallery, early 2000s. Accompanied by an old certificate of authenticity.

David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist.

Greenish-light blue glass, long and narrow body, splayed rim. 7.72 grams, 88 mm high



Acquired 1980-2015. Ex Abelita family collection.

During the early Roman period the glass-making techniques used by the Greeks were continued. Much of the glass was buried and as a result acquired an attractive lustrous patination. Roman glass became a medium for the promotion of the emperor and imperial propaganda, as well as being used as container for various uses. Glass blowing, a new technique, meant that quantities of identical bottles could be produced.