Roman Decorated Bronze Bracelet

A mixed group of ceramic bullae, tesserae or theatre tokens bearing low-relief motifs, mainly consisting of profile busts of deities. 28.4 grams total, 13-21 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

The term 'tessera' was used in Roman times to convey the Greek term σύμβολον (token). Small tiles are known as tokens, often shaped like coins, made of metal (copper, lead, iron), clay, bone, wood, or glass, stamped as well as engraved. The tokens, however, are not exclusively coin-shaped, as the Latin term 'tessera' suggests by etymologically referring to a square or at least a four-sided shape and confirmed in several cases by material remains of the past. Tokens and tesserae seem to have been used both in Athens and Rome for the distribution of goods. According to written sources, the term token is identified with credentials of the official authorities. They have also been interpreted as tokens of identity, as entrance tickets to theatre performances, tribunals or assemblies of citizens, archival material of seal engraving, as pawns in games, Charon’s obols and even as amulets.

With stub handle to the rear, wide rim with concentric rings and starbursts, the discus with male bust in three-quarter view wearing tunic and toga; a low basal ring. 150 grams, 14.2 cm



From the private collection of Peter Clayton, FCILIP, Dip, Arch, FSA, FRNS, Hemel Hempstead, Hertfordshire, UK; formed since the late 1950s.

Comprising twelve intaglios, including: a lion attacking an antelope, a leaping panther facing back, a cabochon with a seated figure, a prancing horse with a dog(?) behind, a helmeted warrior at rest, two with a profile bust, a warrior shooting a bow, a bull browsing a tree, standing Victory, and two with a standing figure. 6.18 grams total, 10-12 mm



Private collection, London.