Roman Chalcedony Gemstone with Venus

Hexagonal in plan with tall tubular neck and flared and folded rim, disc base with moulding seams; broad sloping shoulder above a sidewall of panels each with a low-relief avian image (bird in flight, bird perching on a branch, etc.). 31 grams, 80 mm



Ex private collection, Israel. Acquired from Archaeological Center, Auction 60, no.204. Private collection. Accompanied by a copy of the relevant Archaeological Center online catalogue page. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12530-232177.

Roman opaque glass attributed to the Sidonian workshops represents one of the most technically sophisticated achievements of early Imperial glassmaking. Produced in the Levant, long a centre of innovation, the workshops at Sidon were renowned for their mastery of colour chemistry, using controlled additions of antimony-and-tin-based opacifiers to create surfaces resembling fine stone or enamel. These vessels were not merely utilitarian objects but markers of status, admired in antiquity for their vibrant hues and precision of manufacture. Examples such as the present piece illustrate the transition of glass from a luxury comparable to carved hardstone to an art form that could be shaped, coloured, and refined with unprecedented freedom, underscoring the pivotal role of Sidon in the evolution of Roman glass technology.

Comprising a stepped disc with carination and enamelled ring and socket to accept a stud (absent), lateral spurs; above and below a short arm with trefoil finial; pin-lugs, pin and catch to reverse. 7.68 grams, 46 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.

With a palla drawn up over her hair, stepped at the rear to indicate a chignon; soft, youthful facial features with fleshy cheeks and a rounded jawline; mounted on a custom-made stand. 1.47 kg total, 18.5 cm including stand



with Gorny & Mosch, Munich, 21 June 2005, no.344. Private collection, Europe. Accompanied by copies of the relevant Gorny & Mosch catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13198-250132.

The head comes from a statue that most likely represented a matronly deity, Demeter or Hestia/Vesta, the goddess protector of the home hearth. The latter seems the most likely, as she was usually depicted (as in the Hestia Iustiniani, a prototype often replicated in the Roman era) with a covered head (velato capite), a symbol of modesty and marital virtue for the Roman matron.