Roman Carnelian Gemstone with Ant

Comprising: potter at his wheel; amphora; 'ICBL' legend; stooping figure; bird in flight; horse in profile; each supplied with a museum-quality impression. 2.70 grams total, 8.49-13.58 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

The eagle standing with its wings closed, and its head turned slightly to the right, with long claws spread on the top of a large goat head with long segmented horns and a protruding beard. 22.1 grams, 34 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.

Each with a hollow-formed crescentic hoop, piriform plaque with inset glass panel and granulated border, hollow-bulb cluster beneath with three applied piriform plaques and granule finial. 9.26 grams total, 37-38 mm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12393-226929.

As a result of the expansion of the Roman Empire, jewellery became more and more elaborate in its designs and materials used, such as precious and semi-precious gemstones. This pair of earrings represent a highly baroque evolution of the boat-shaped type, already visible in Etruscan jewellery and certainly in Roman jewellery, as demonstrated by the excavations of Herculaneum. Using the body of the boat-shaped earrings, the late Imperial artist added decorative clusters and applications of pearled borders and precious stones, according to the taste of Eastern Hellenism rooted for centuries in the provinces of the Black Sea and Roman Asia.