Roman Bronze Zebu Statuette

Squat body with long tubular tapering neck and wide trumpet-stype rim. 58 grams, 19.6 cm



From a London, UK, collection of glass, 1970-2000s.

D-section hoop, elliptical in plan, with raised oval bezel set with a jasper intaglio engraved with inverted Greek inscription 'IXΘYC' (ichthys, meaning 'fish"), a Greek acronym for 'Jesus Christ, Son of God; supplied with a museum-quality impression. 9.18 grams, 21.91 mm overall, 18.68 mm internal diameter (approximate size British O 1/2, USA 7 1/4, Europe 15.61, Japan 15)



Private collector, acquired in the early 1990s. Private collection, England.

The term ichthys is the equivalent of the ancient Greek: ixθus, ichthýs ('fish'), used by early Christians to refer to Jesus Christ. For this reason, the fish symbol was very common in the catacombs of Rome. In particular, the ichthys is one of the oldest Christian symbols that has come down to us. Used covertly by Christians to mask their faith from Roman persecutors, when a Christian encountered a stranger whose loyalty he needed to know, he would draw one of the arches that make up the ichthys in the sand. If the stranger completed the sign, the two individuals recognised each other as followers of Christ. The symbol was also drawn on the doors of the houses of Christian families. Its use spread in the 3rd century to personal effects such as the ring offered here.

Depicted in a standing position with an erect head, the detailed claws resting on a pedestal base, folded wings and a long tail; detailed engraving of feathers, superb rendering of the beak and round eyes; Greek inscription on the front and left side of the raised square pedestal, having a square socket allowing the insertion in a staff or shaft; the inscription could be translated as: '[Ο]Ι [ΤΗ]Σ Δ[ΙΟΣ] = To Zeus / [Ε]ΤΑ[Ι]Ρ[ΕI] (?)ΡΡΑΣ = those of the association of ? ..RRAS / ΕΥΧ ΗΝ = in fulfilment of a vow'. 233 grams, 95 mm



UK private collection before 2000. Acquired on the UK art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13060-248309.

In the Roman world the eagle, bird associated with the god Jupiter or Zeus (Aetos Dios = Eagle of Zeus), king of the Olympian gods, and one of his most common attributes together with thunderbolt and the long sceptre, was seen as ‘the symbol and agent of apotheosis after death’ and an eagle was released from the top of an emperor’s funeral pyre to signal the journey of the soul heavenwards. Eagles were also the principal standard of the Legions, in gold or silver, and became the military symbol for excellence. However, the eagle was not reserved only for the ruling class or for military people, but was also found on funerary altars and dedications of private citizens. As is so often the case with metal figurines, nineteen of the eagles found in Britain are from unknown contexts, but they are found at a variety of site types, including four from military sites and three from urban sites. Apart from two from villas, they do not occur at rural settlement sites or at religious sites other than the temple at Woodeaton, Oxon, where a small group of five eagle figurines was recovered (Kirk, 1949; Henig and Munby, 1973). Also of interest is the eagle figure thought to have been a sceptre terminal, which was recovered from the temple at Farley Heath, Surrey. A second sceptre terminal, identified variously as an eagle or raven, was also part of the hoard found at Willingham Fen (Bird 2007, 49 no. 81, fig. 21).