Roman Bronze Swan-Headed Wine Strainer

Composed of graduated oblate, annular and other beads, central feature a large re-used mosaic glass fragment. 19.86 grams, 42.7 cm



From the London, UK, art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Such necklaces testify to the popularity of glass ornaments across the Roman Empire. Roman jewellery at first followed trends set by the Etruscans, using gold and glass beads, but with the extension of the Empire and the adoption of different styles from Greece, Egypt and North Africa, jewellery designs became increasingly various and elaborate. Each bead of this beautiful necklace is unique in shape, lustre and speckling, creating a mosaic like impression. Blue glass beads are distinguished by the scholars as opaque mid-blue and deep translucent cobalt blue.

With stepped rim, openwork radiating cured arms from a central hub; pin, pin-lugs, and catch to the reverse. 13.1 grams, 30 mm



Found Thames foreshore, London, UK. Acquired from Coincraft, London, UK. From the private collection of Kenneth Machin (1936-2020), Buckinghamshire, UK; his collection of antiquities and natural history was formed since 1948; thence by descent. Accompanied by a Coincraft certificate of authenticity. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Ellipsoid cameo with profile portrait bust in antique gold pendant frame with surrounding cabochons: emerald, sapphire, ruby - and clusters of pearls; marked to reverse '750', in a rectangle 'Bd G' (believed to be an upstate New York jeweller's stamp) and an indeterminate third mark; supplied with a custom-made display stand. 99 grams total, 92 mm including stand, pendant: 50 mm



American collection, early 20th century, New York. with Robert Haber Gallery, New York, 1990. Ex Jean Clostre, Geneva, Switzerland. Accompanied by a scholarly report by Dr Ittai Gradel. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12223-222312. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Dr Ittai Gradel says: 'The cameo, of exquisite technical quality, has a close parallel in the Cabinet des médailles, Paris .. The TimeLine auction cameo is not, however, an exact copy .. though details are so close to the larger Paris cameo that the same gem carver, or at least workshop, probably produced both.'