Roman Bronze Stylus with Eraser

A mixed group of ceramic bullae, tesserae or theatre tokens bearing low-relief motifs, mainly consisting of profile busts of deities. 31.1 grams total, 12-21 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

The term 'tessera' was used in Roman times to convey the Greek term σύμβολον (token). Small tiles are known as tokens, often shaped like coins, made of metal (copper, lead, iron), clay, bone, wood, or glass, stamped as well as engraved. The tokens, however, are not exclusively coin-shaped, as the Latin term 'tessera' suggests by etymologically referring to a square or at least a four-sided shape and confirmed in several cases by material remains of the past. Tokens and tesserae seem to have been used both in Athens and Rome for the distribution of goods. According to written sources, the term token is identified with credentials of the official authorities. They have also been interpreted as tokens of identity, as entrance tickets to theatre performances, tribunals or assemblies of citizens, archival material of seal engraving, as pawns in games, Charon’s obols and even as amulets.

With a narrow hoop and thick integral bezel, incuse design of Hercules grappling the Nemean lion. 10.90 grams, 25.50 mm overall, 19.39 x 15.78 mm internal diameter (approximate size British L 1/2, USA 6, Europe 11.87, Japan 11)



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

The cameo carved in high relief with the head of a child, probably Eros, with a later adaptation of a ruff-like collar around the neck, set in an ornate gold mount decorated with white, red and black enamel, the shoulders pierced with side lugs, while the underside of the setting incorporates X-shaped ribs, fine striations enriching the sides of the projecting collet. 3.70 grams, 29.54 mm overall, 18.55 x 16.53 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



Acquired on the European art market. UK, private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13504-263463.

Eros was the god of love, and his image was an appropriate token to give to one's beloved, though he could be a symbol of much more, especially in Dionysiac context where he stood for the young Bacchus and was a symbol of salvation.