Roman Bronze Steelyard Weight Group

Comprising a matching pair of earrings, each composed of a hollow crescentic body tapering to slender coiled wire terminals, a suspension loop to each shoulder, large tear-shaped cell to front with granulated border, set with a polished garnet cabochon, gold bulbs below in the form of a bunch of grapes, adorned with smaller granules and three cells set with polished garnet cabochons; the necklace elements comprising graduated beads, alternating between roughly spherical polished garnets and sheet-gold beads of various types including gusseted, biconical and tubular, two floral filigree pendants flanking a central pendant ornamented with 'plaited' and plain filigree wire with granules to the outside, finial of trefoil bulbs, central corrugated cell set with a polished garnet cabochon; mounted on a custom-made perspex display base. 435 grams total, display stand: 30 x 23.5 cm (earrings: 38 mm each)



Ex private European collection, 1970s. with Genève Enchères, 14 December 2017, Lot 999. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11584-199015.

Beryls, used as small pendants, and not placed horizontally, characterised Roman necklaces of 2nd century A.D. A typical example is the necklace found in the grave of Crepereia Tryphaena. The contents of the grave are dated to the Antonine age based on the sarcophagus, the inscription, and the hairstyle of the doll it contains.

With intaglio winged Victory advancing holding a wreath; supplied with a museum-quality impression. 1.26 grams, 16 mm



From the collection of a Swiss gentleman formed in Europe from 1970-1980s; thence by descent from the family in London.

Central motif of a bust of a goddess with modius (Ceres?); filling-hole in lower left field, voluted angular-tipped nozzle, base slightly raised. 41.3 grams, 80 mm



From the collection of a High Wycombe, Buckinghamshire, UK, gentleman, circa 2000.

The lamp belongs to the type Loeschcke Type I C. This kind of lamp belongs to the early Flavian phase of workshop production. The discus decorations are related to amphitheatre and circus, to mythology, animals, everyday life, and symplegma.