Roman Bronze Standing Deer Statuette

Displaying an possibly unfinished scene composed of robed warriors or other figures wearing Phrygian caps, wide tunics with segmenta, oriental trousers (anaxyrida) and tugging on a rope; later attachment loop to the reverse. 163 grams, 10.1 cm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

The scene probably represents an episode of the Trojan cycle, with the Trojans (usually represented in Late Antiquity with a Phrygian cap, wide sleeved tunics and Persian-style trousers) dragging the wooden horse inside the walls of Troy. In the late Roman Empire the Trojan cycle became often the subject of artistic representations, such as the famous Ilias Ambrosiana now preserved in Milan, or the miniatures of the Vergilius Romanus.

With flat base and central boss, flared rim, incised rings to the inner face. 142 grams, 83 mm



Acquired 1980-2015. Ex Abelita family collection.

Decorated with a frieze of foliage and volutes from which a blossom is springing, the image framed by a green band of arrows, an ochre and cream line border below; background painted in magnificent rosso pompeiano (Pompeian red); mounted on a custom-made display stand. 1.26 kg total, 17 cm high including stand



From a European collection formed in the 19th century or earlier, based on the custom-made tooled leather box similar to another fragment kept in a case of similar manufacture with a label reading 'Fragment de Pompéi provenant de la vente Préat 1868' sold at Sotheby's New York, 12 December 2013, lot 84. Mitsukoshi department store, Nihonbashi, Tokyo, by 1974. Japanese art market, 1974-1978. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no 11826-207724.

Our painted stucco was probably part of a decorative frame, like that visible in the cubiculum of the Villa of P. Fannius Sinistor, in Boscoreale, which is earlier but represents a model of continuity through the decoration of the Roman walls. This filling of the tablinum and other rooms with ornamental plant-type columns and panels decorated with leaves and plant scrolls is found in Pompeii in certain houses, such as that of Caecilius Jucundus.