Roman Bronze Sitting Monkey Statuette

Comprising a quantity of small beads, in mixed shapes, colours and materials; each pierced for stringing. 81 grams total, 2-18 mm



UK gallery, early 2000s.

Standing with her weight on her right leg, the left leg slightly bent, looking towards her left; the hair gathered at the nape of the neck; dressed in a short pleated sleevelesschiton, puffed up at the waist and falling above her knees, small boots with the strings tied above the ankles; carrying a quiver held by a strap passing over the right shoulder across her breasts; her lowered left arm was probably holding a bow, her right arm raised above her shoulder in the act of drawing an arrow from her quiver; mounted on a custom-made display stand. 155 grams total, 12.5 cm high including stand



Ex Mr. A.J. collection, Geneva, Switzerland. Acquired in Europe in 2014. Private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11793-206487

This example depicts a well-attested type of Diana (Greek Artemis) goddess of the hunt. The slight swaying and the folds of the garment recall a Greek work of the classical period, widely copied by the Romans. The statuette is a good artwork from the Roman period, with identical copies spread throughout the empire, as many similar figures came from Naples, Bligny-sur-Dache, Trebizond, Carnuntum, and Vienna. The statuette was probably intended for a domestic altar (lararium).

With luxuriant long wavy hair and characteristic vertical locks at the forehead, full beard with two large ringlets below the chin, wearing a chiton and a himation draped over the left shoulder, the head surmounted by a corn modius decorated with olive branch in relief, the bust supported on the back of an eagle standing atop an orb with spread wings, the eagle with its head slightly turned to the left, the feathers finely detailed; a finial from a staff or a ceremonial standard. 1.4 kg, 29.5 cm high

Repaired.

Ex private collection, South Germany, 1980. with Gorny and Mosch, Munich, 13 December 2003, lot 74. with Christie's, New York, 8 June 2012, lot 239. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11789-206489.

The Emperor Septimius Severus (193-211 A.D.) modelled many of his portraits based on Serapis. But it was under Hadrian that the refurbishment of the statue in the Serapeum increased the demand for small-scale images, like this one, probably made during his reign and used atop of a processional sceptre or standard for the cult of the god.