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LOT 0736
Roman Bronze Ring with Bird
1ST CENTURY B.C.-1ST CENTURY A.D.
7/8 in. (2.45 grams, 22.07 mm overall, 18.10 mm internal diameter (approximate size British M, USA 6, Europe 12.46, Japan 12)).
Ellipsoid bezel with incuse figure of a perching bird in profile. [No Reserve]
ProvenanceUK private collection before 2000.
Acquired on the UK art market.
Property of a London gentleman.
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AUCTIONS:
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Roman Bone Pin Collection
1st-4th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
Comprising: two with a bulbous finial; one with a lion head finial; one with a tapering body and rounded finial. 12 grams total, 9.3-13 cm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. -
Roman Glass Vessel Group
3rd-4th century A.D.Sold for (Inc. bp): £104
Comprising: a slender pale blue unguentarium with flared mouth; squat piriform jar with dimple base. 24 grams total, 4.5-11 cm
Francesc Cambó i Batlle (1876-1947) a prominent Spanish politician, art patron and philanthropist. Gifted to his friend, the archaeologist Josep Gilbert i Buch. Acquired from Gilbert's family by the present owner's grandfather in the early 1980s. Private collection of a European noble.
Francesco Cambó i Batlle was a notable figure in early 20th-century Spain, best known for his role in politics as a leader of the Catalan nationalist movement and as a patron of the arts. He was a key benefactor of the Museo del Prado and left a significant legacy through his art collections. His deep connection to the cultural and artistic life of Spain makes items from his collection particularly valuable and historically significant. -
Hellenistic or Roman Bronze Grotesque Figure
Alexandria, 1st century B.C.-3rd century A.D.Sold for (Inc. bp): £338
Modelled standing nude in a contorted pose with left arm raised and right hand on the hip, head tilted; mounted on a custom-made stand. 257 grams total, 11.5cm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
Rolland (p.104) notes that such grotesque 'pygmy' figures may have been intended as caricatures. They were already produced in Alexandria since the 1st century B.C., and considered to be charms against the evil eye. Beautiful statuettes of this typology are well known from the Roman period, perhaps produced in the workshops of Alexandria, Egypt, on the occasion of the visit of the Emperor Caracalla.
