Roman Bronze Ring Key

Comprising various figures and mounts including: a sheep, a fly, a peacock, an anthropomorphic head, a mount with a lying feline and a crouching figure. 94 grams total, 18-40 mm



Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance.

In the art of late antiquity and early Christianity, during the Christian Middle Ages to the present, peacock held a prominent place, not only as a decorative motif, but also as a distinctive emblematic and symbolic sign. Its image was usually combined with a kantharos or a tree of life. Individually or in pairs, it was usually represented on places which were the ones closest to the holiest part of churches (altar’s parapet wall panels). Votive statuettes were brought in the church by the believers.

Mostly tabular in form, displaying varying numbers of dimples to one or multiple faces. 181 grams total,13-29 mm



Ex Simmons Gallery, London E11, UK, in the 1990s. From a North London collection.

Standing with her weight on her right leg, the left leg slightly bent, looking towards her left; the hair gathered at the nape of the neck; dressed in a short pleated sleevelesschiton, puffed up at the waist and falling above her knees, small boots with the strings tied above the ankles; carrying a quiver held by a strap passing over the right shoulder across her breasts; her lowered left arm was probably holding a bow, her right arm raised above her shoulder in the act of drawing an arrow from her quiver; mounted on a custom-made display stand. 155 grams total, 12.5 cm high including stand



Ex Mr. A.J. collection, Geneva, Switzerland. Acquired in Europe in 2014. Private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11793-206487

This example depicts a well-attested type of Diana (Greek Artemis) goddess of the hunt. The slight swaying and the folds of the garment recall a Greek work of the classical period, widely copied by the Romans. The statuette is a good artwork from the Roman period, with identical copies spread throughout the empire, as many similar figures came from Naples, Bligny-sur-Dache, Trebizond, Carnuntum, and Vienna. The statuette was probably intended for a domestic altar (lararium).