Roman Bronze Recumbent Deer Statuette

Modelled in the round as a facing female with head turned slightly right, with semi-naturalistic facial detailing and dressed hair; lead-filled. 4.2 kg, 13.5 cm high



Acquired 1990s-early 2000s. East Anglian private collection.

Steelyard weights in the form of human or deities faces were not uncommon in the Roman period (see SWYOR-DA4426, OXON-4391B5, HAMP-BD4D67 and NARC-7A7B81 on the PAS). These were generally filled with lead and had iron or copper suspension loops projecting from the top of the head.

Fragment or portion of floor mosaic, showing a composition of alternated patterns of different coloured squares in chequerboard pattern, combined in diagonal rows of light yellow, light blue, off-white, pink, red, light violet, again off-white, light grey, light grey, dark grey, off-white, light yellow (repeated two times) light blue and off-white shadows; on the lower part a red line is edging the composition over an off-white band. 82.5 kg, 156 cm wide including frame



Acquired 1970s-1996. Property of a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11822-207409.

The square-decorated mosaics had a strong presence in the Hispanic provinces, with some 1st century A.D. examples in the houses of Ampurias, up to the late imperial examples of the Villa of Palencia (archaeological site of La Tejada) where the main rooms show wall paintings with geometric, vegetal or decorations imitating marbles, and mosaics with simple geometric decorations alternating with elegant decorative motifs such as swastikas, chequered motifs or ropes, and Solomonic symbols. The chequerboard motif was widespread, and it is visible also in the 3rd-4rd century mosaic of the Roman Villa of Brading or in the house found under the Museum of Lincoln, in Britain.

Set in a silver mount with beaded edge; the intaglio depicting Demeter draped, advancing left and holding ear of corns in her right hand. 2.21 grams, 19 mm



Acquired in the late 1980s-early 1990s. Important North West London collection.

Demeter and Hecate were linked to the afterlife cult, so it is possible that the ring to which the bezel belonged was a funerary gift. Demeter (Ceres for the Romans) was the Greek goddess of the harvest, the cycle of life and death and sacred law.