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LOT 0137
Roman Bronze Plaque with Eros on Lion
CIRCA 2ND-4TH CENTURY A.D.
4 in. (182 grams, 10.2 cm high).
Modelled in relief with openwork elements, stylised detailing to both figures; hollow reverse.
ProvenanceAcquired 1990s-early 2000s.
East Anglian private collection.
Cf. Mille, B., 'The Casting Techniques of Antique South Arabian Large Bronze Statues,' in Jett, P., McCarthy, B. and Douglas, J.G. (eds.), Scientific Research on Ancient Asian Metallurgy: Proceedings of Fifth Forbes Symposium at the Freer Gallery of Art, Washington, Smithsonian Institution, 28-29/10/2010, Washington, 2012, pp.225-247, fig.5, for similar images.
FootnotesHollow cast bronze images of Eros riding a lion are linked to the Eastern Levant and have been found for example in Tamna, probably a Roman import. The importance of long-distance contacts within the Eastern Mediterranean areas was rapidly reflected in provincial artistic styles, probably as soon as in Hellenistic times, at the beginning of the third century B.C., possibly even earlier. The unquestionable Greek influence led a number of scholars to define three main styles for the bronzes discovered in the eastern Roman provinces: a local type and iconography locally produced, Greek or Roman imports, and Oriental, Hellenistic, or Roman style, locally produced.
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Roman Bronze Antinous Balsamarium
2nd-3rd century A.D.Sold for (Inc. bp): £2,405
Comprising the bust of Antinous or Bacchus (Greek Dionysus); the head modelled in the round, hair with voluminous waves, semi-naturalistic facial features, muscular neck and chest, two loops at the sides for the handle, silver inlaid eyes restored with black glass pupils. 300 grams, 10 cm
Acquired on the German art market before 2000. From an EU collection before 2020.
The balsamarium (ointment or balsam container), is a modern term reflecting the Roman use of relatively small vessels as containers for aromatic oils, or storing and dispensing cosmetic liquids and/or scented powdered substances. These vessels were produced in the first three centuries of the Roman Empire in a variety of forms, including busts and animal shapes. The present balsamarium testifies to the power of imperial imagery and its dissemination across the empire, as the vessel portrays Antinous, Emperor Hadrian's ‘favourite’, whose untimely death in a boating accident led to his deification. The general facial characteristics of our figure are consistent with the stylistic portrait features of late antiquity and the personal features of Antinous, here appearing with large almond-shaped eyes, set into slightly upturned, incised pupils. -
Roman Terracotta Fragment and Tesserae Group
1st-6th century A.D.Sold for (Inc. bp): £13
Comprising cuboid tesserae, vessel fragments and a fragmentary oil lamp with Christian cross to the underside. 596 grams total, 2.1-10.5 cm
UK gallery, early 2000s. -
Roman Red Jasper Gemstone with Gryllos
2nd century A.D.Sold for (Inc. bp): £598
Oval in shape; the main subject of the gryllos a youth wearing a horse-head topped helmet, the body a ram's head holding an ear of corn in its mouth, the legs and tail that of a cockerel. 0.34 grams, 11 mm
Acquired 1980-2015. Ex Abelita family collection.
According to Plutarch, grylloi had apotropaic properties to ward off the evil eye.