Roman Bronze Phallic Amulet

Group of three gold pendants comprising: two formed as a cluster of granules with three lobes, larger granule to each apex and coiled wire suspension; one of similar profile, larger with filigree lines and coils to both faces, trumpet-shaped finial with loop; repaired; housed in a custom-made display case. 8.83 grams total, 24-32 mm



Acquired in the late 1980s-early 1990s. Important North West London collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11934-210479.

Typologically related earrings were particularly common in the Caucasus, where they have been dated by archaeologists to the first centuries A.D. This was a product of Hellenised workers of the area of Pontus or Asia Minor, mainly, and the material culture of the Greek cities of the North Pontus region was completely absorbed by their new Roman rulers and largely diffused in style and orientation in the Eastern Roman provinces.

Formed as a tablet-shaped stamp (signaculum), with raised border above and below containing an inscription in Latin in reverse over two lines, reading: 'Q[UINTI] POM [PONII] CRE [SCONII} ? / OCTAVIAN[I]' possibly translating to: 'Of Quintus Pomponius Cresconius Octavianus', this latter being the owner; with a large loop to verso. 92 grams, 64 mm



From an old private collection formed before 1985. Accompanied by a copy of a previous dealer's certificate of authenticity including provenance.

Used to stamp documents and a broad range of different materials and food, signacula came into use in the Roman res publica during the 2nd century B.C., becoming both popular and widely used in many areas of everyday life during the Imperial period. These signacula were not exclusively used in the sphere of economy and property administration, but also in public and private sphere, determining the identity of their owners. The bronze stamp - also definable as a tessera, like the wooden one - was an instrumentum vicarium (auxiliary tool) of the annulus signatorius (seal ring), but compared to the annulus, it was much stronger and more practical, capable of leaving a better recognisable imprint. By analogy, the press note of a wooden or terracotta stamp also had an important certifying function, but the object that produced it only lasted a limited time, while the signaculum ex aere (bronze stamp) lasted a lifetime.

Tubular body with domed cap to each end, applied granule clusters, three suspension loops. 6.3 grams, 35 mm



Acquired on the German art market before 2000. From an EU collection before 2020.