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LOT 0719
Roman Bronze Panther Statuette
3RD-4TH CENTURY A.D.
1 1/2 in. (21.6 grams, 40 mm).
Modelled in the round reclining feline with tail looped around the body. [No Reserve]
ProvenanceAcquired on the UK art market during the late 20th century.
From the private collection of David King (1940-2024), Hoddesdon, Hertfordshire, UK.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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Roman Bronze Horse-Head Fylfot Plate Brooch
3rd-4th century A.D.Sold for (Inc. bp): £338
With horse-head finials and central ring-and-dot motif; pin and catchplate on the reverse. 16.5 grams, 43 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Bone Pin and Implement Group
3rd-4th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
Each with round-section shank, one with hoop finial. 29.3 grams total, 9.2-11.3 cm
Private collection of Mr K.A., acquired in the 1990s-early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Mould-Blown Marbled Glass Flask
1st century A.D.Estimate: £1,000 - 1,400 (+bp*)
Opening Bid: £250
Wide body and tall tubular neck with everted rim, formed of marbled glass in shades of brown and white; restored. 80 grams, 10 cm
From the F.D. collection, 1990s. Ex Mayfair, London, UK, dealership. Ex collection of a London, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
This specimen belongs to the types of colour band piriform bottles of glass strips, fused and blown. After cooling, slices were cut from the rod cross-wise, then arranged side-by-side and fused together to create a multi-coloured and multi-patterned sheet of glass. Alternatively, the craftsman, instead of cutting the glass chords, could place them side by side and fuse them together in strips.
