Roman Bronze Minerva Mount

Formed as the bust of Eros looking upwards, with stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base. 515 grams total, 11.9 cm wide (740 grams total, 14 cm high including stand)



with Sotheby's, London, 23 May 1988, no.234. Ex Joel L. Malter & Co., Encino, California, USA, Auction XLV, 28 May 1991, no.902. Ex Bruce A. Kamerling collection. Acquired from Royal Athena Galleries, New York, 26 June 1994. The Haggin Museum, Stockton, California. Property deaccessioned from the Haggin Museum, Stockton, California, USA. Bonhams, Antiquities, 23 May 2012, no.121. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13126-247737.

Ellipsoid plaque with reserved fish with scale detailing to the flank, shrimp with segmented body. 0.90 grams, 17 mm



Private English collection, formed between the late 1970s and early 1990s. Private collection, London, UK.

Carved in the round as a bust of a child with youthful face, wide cheeks, slightly opened mouth with full lips, almond-shaped eyes, chipped nose; curly hair combed on the top of the head; mounted on a custom-made display stand. 9.95 kg total, 34 cm including stand



Collection of Mr and Mrs A., in their private mansion near the Champs-Élysées; thence by descent. Acquired on the French art market, 2024. Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13109-249674.

The finely sculpted head represents a young child, probably intended as Eros (Cupid). Such depictions were produced in numerous variations to illustrate the stages of childhood and the capacity of children to undertake meaningful or symbolic actions. The softly modelled features and gentle expression recall the celebrated work of Boethos', The Boy Strangling the Goose, as well as the widespread images of Eros and the Erotes found throughout Graeco-Roman sculpture and painting. In Graeco-Roman art, representations of children occupied an important and evolving role. Initially, youthful figures were portrayed as miniature adults, but from the 4th century BC onwards - particularly during the Hellenistic and Roman periods - artists began to study children’s anatomy more closely, reproducing their characteristic proportions and expressions with naturalistic sensitivity. The figure of Eros, the constant companion of Aphrodite, became the quintessential model of the child in ancient art, identifiable by his traditional attributes of wings and bow. As evidenced by numerous statuettes and wall paintings unearthed at Pompeii, scenes of childhood were among the most popular subjects for adorning the gardens and interiors of wealthy Roman villas. These figures appear in lively and varied activities - playing, working, performing, or interacting with animals such as birds, hares, and dolphins - celebrating both the charm and vitality of early life within an idealised artistic vision.