Roman Bronze Medical Implements and Palette

Fragment or portion of floor mosaic, showing a composition of alternated patterns of different coloured squares in chequerboard pattern, combined in diagonal rows of light yellow, light blue, off-white, pink, red, light violet, again off-white, light grey, light grey, dark grey, off-white, light yellow (repeated two times) light blue and off-white shadows; on the lower part a red line is edging the composition over an off-white band. 82.5 kg, 156 cm wide including frame



Acquired 1970s-1996. Property of a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11822-207409.

The square-decorated mosaics had a strong presence in the Hispanic provinces, with some 1st century A.D. examples in the houses of Ampurias, up to the late imperial examples of the Villa of Palencia (archaeological site of La Tejada) where the main rooms show wall paintings with geometric, vegetal or decorations imitating marbles, and mosaics with simple geometric decorations alternating with elegant decorative motifs such as swastikas, chequered motifs or ropes, and Solomonic symbols. The chequerboard motif was widespread, and it is visible also in the 3rd-4rd century mosaic of the Roman Villa of Brading or in the house found under the Museum of Lincoln, in Britain.

Modelled in the round with naturalistic detailing, head turned to the left, standing on an irregular base. 2.15 grams, 14 mm high



‘The Ancient Menagerie Collection’ formerly the property of a Cambridgeshire lady, collected since the 1990s and acquired from auctions and dealers throughout Europe and the USA, now ex London collection.

The oval intaglio engraved with a man driving a pair of oxen with plough to left, a detailed tree with branches in the background, ground line under the oxen. 0.38 grams, 10 mm



Acquired in the late 1980s-early 1990s. Important North West London collection.

The gem could refer to the Augustan program of restoration of peace and security in the empire, after the agitated period of civil wars, with the possibility for men to return peacefully to their lands in a now peaceful empire. However, we cannot exclude that the image also refers to the well-known episode of Greek mythology, when Odysseus, to escape the call to arms in Troy, feigned madness by ploughing the fields without interruption, until he was unmasked by Palamedes, cousin of Agamemnon, who placed Odysseus' infant son Telemachus in front of the plough, forcing Odysseus to stop and reveal feigned insanity.