Roman Bronze Lion Head Mount

Formed as a lion extending from an acanthus leaf column capital, with forepaws outstretched and the head of a ram in its mouth; detailing to the full mane, ears, head and muzzle; ferrous shank with perpendicular wards. 116 grams, 12.5 cm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Round in section and tapering to each end, with knop finial and applied gilding. 1.99 grams, 74 mm



Acquired from Coincraft, London, UK. From the private collection of Kenneth Machin (1936-2020), Buckinghamshire, UK; his collection of antiquities and natural history was formed since 1948; thence by descent. Accompanied by a Coincraft certificate of authenticity. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

A characteristic portrait of the Emperor Hadrian, his hair arranged in wavy strands swept forward from the crown, ending in a row of lively curls that frame his forehead and temples; his narrow eyes slightly shaded by the pupils and by the sharply defined upper eyelids, giving him a thoughtful expression; thick beard composed of tight curls and covering his chin, extending high up the full cheeks; a gently waved moustache above his closed lips; thick neck with the preserved start of the right shoulder suggesting his head was turned slightly to the right, indicating that the portrait once belonged to a full-length statue or to a bust; mounted on a custom-made display stand. 56.4 kg total, 60 cm high including stand



Swiss art market, February 1988. Private collection, Liechtenstein. Acquired by the current owner in 2023 through a private transaction. Accompanied by a copy of an Art Loss Register certificate no.S00122139. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12777-239295. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Born in AD 76, Publius Aelius Hadrianus became emperor in AD 117, following the death of his adoptive father, Trajan. Portrait heads of Hadrian, like the present example, were often made for statues that stood in temples or public buildings, either to honour the emperor before an official visit or to commemorate his presence afterward. This particular portrait is a striking depiction of Hadrian, showing him with balanced and compact facial features. His hair is arranged in wavy strands swept forward from the crown, ending in a row of lively curls that frame his forehead and temples. His narrow eyes are slightly shaded by the sharply defined upper eyelids, giving him a thoughtful expression. The thick beard is composed of tight curls and covers his chin, extending high up the cheeks, which remain full and show little sign of age. A gently waved moustache sits above his closed lips. His neck is thick, and the preserved start of the right shoulder suggests his head was turned slightly to the right, indicating that the portrait once belonged to a full-length statue. Hadrian is one of the most frequently depicted Roman emperors in surviving portraits, second only to Augustus. His long reign and extensive travels across the empire led many cities to erect statues in his honour, either in anticipation of his arrival or as a tribute after his departure. Unlike the expansionist emperors who came before him, Hadrian focused on strengthening and securing the empire. He travelled widely, visiting regions including Spain, Greece, Asia Minor and Egypt. Even though he ruled for over 20 years, Hadrian is almost always shown in the prime of middle age. He was the first emperor to wear a beard in his official portraiture, likely a reflection of his admiration for Greek culture. This choice marked a significant change in imperial image-making and became the norm for later emperors. His hair typically falls in soft waves, ending in neatly defined curls across the brow. Scholars have identified six major portrait types of Hadrian, distinguished by subtle differences in the way his hair is arranged.