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LOT 0975
Roman Bronze Lamp Holder Shaped as Arm
CIRCA LATE 2ND-4TH CENTURY A.D.
10 3/4 in. (429 grams, 27.5 cm).
Comprising a tapering square-section spike below a stepped flange, columnar arm developing to a clenched fist with vertical socket.
ProvenanceEx German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
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AUCTIONS:
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Roman Bronze Eagle on Bull's Head
2nd-3rd century A.D.Sold for (Inc. bp): £1,170
Modelled in the round figure of a bull's head (bucranium) with an eagle with folded wings perched on the horns; hollow to the underside. 129 grams, 70 mm
Acquired by a Swiss family in the mid-1980s to late 1990s, thence by descent. Private collection, Switzerland, since the late 1990s. -
Roman and Other Bead Necklace String
1st-4th century A.D. and laterSold for (Inc. bp): £59
Mixed group of stone, glass and faience beads with a conical feature bead at the centre; restrung. 26.57 grams, 40 cm
From London, UK, gallery collection, 1990s. -
Large Roman Bronze Robed Torso
1st century B.C.-1st century A.D.Estimate: £30,000 - 40,000 (+bp*)
Opening Bid: £16,667
Likely representing Harpocrates, depicted frontally and wearing a draped full-length himation, the right arm raised and left arm bent at the elbow; mounted on a custom-made display stand. 7.55 kg total, 53.5 cm high including stand
Private collection, Hong Kong, acquired in the 1970s. Spanish art market. Acquired by the present owner from the above. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13040-248071.
The body of this statue was hollow-cast by the lost wax method; traces of solder within the arm sockets and around the neck indicate that the arms and head were cast separately. The position of the body and comparative images suggest the statue represents Harpocrates. Harpocrates, the son of Isis and Horus, was one of the most represented children, especially after the diffusion of his cult into the Roman Empire. He is usually depicted naked, but draped figures of the god were produced in the Hellenised east and spread throughout the Empire. Statues of Harpocrates were at the entrance of almost all temples, to indicate that in those places the gods should have been honoured with silence, or, according to Plutarch, men who had an imperfect knowledge of the divinity should only speak of it with respect.