Roman Bronze Key Ring Group

Depicted nude in a contrapposto stance with the weight on his left leg, holding a club in the crook of his left hand with a lion-skin draped over the arm, and a cup in his right hand. 115 grams, 86 mm



Acquired in the 1980s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12615-234681.

This well-proportioned bronze statuette, perhaps of Gallo-Roman origin, was likely made for a private lararium, the domestic shrine found in many Roman homes. Although provincial in style, it is carefully modelled and has a strong presence. Unlike many similar figures, Hercules is shown here without a beard, and the upper part of the head was probably once covered by a laurel crown. Known to the Greeks as Herakles, Hercules was one of the most admired heroic figures in the Roman world, celebrated for his strength, endurance, and ability to overcome immense challenges. His famous Twelve Labours made him a lasting symbol of perseverance and triumph, and small bronze figures such as this would have brought not only mythological meaning into the home, but also a sense of protection, resilience, and personal devotion.

With intaglio nude figure advancing with both arms bent; supplied with a museum-quality impression. 0.65 grams, 10.15 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

Discoid with impressed menorah motif, integral loop. 1.07 grams, 22 mm



Private collection, acquired in the late 1980s-early 1990s; thence by descent.

Glass medallions were produced especially in Syria and decorated with imagery including Christian saints and monograms. The iconography of the Menorah was used by both Christian and Jewish communities, being for the Orthodox church a symbol of divine light, the seven gifts of the Holy Ghost and the church itself.