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LOT 0718
Roman Bronze Hound Statuette
1ST-2ND CENTURY A.D.
2 in. (80 grams total, 52 mm including stand).
Modelled in the round in advancing pose with head lowered and mouth open, low-relief collar to the neck; mounted on a custom-made stand. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. Durham, E., Metal Figurines in Roman Britain, vol. 2, Reading, 2010, pl.275, for type.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Roman Ornate Bone Hair Pin with Snake-Head Terminal
1st-4th century A.D.Sold for (Inc. bp): £130
With tapering shank and bulb finial carved to represent a snake's head, 3.01 grams, 12.8 cm
Acquired 1980s-2010. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985. Accompanied by a typed and laminated identification card. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Roman Marble Head of a Man in Relief
3rd-early 4th century A.D.Sold for (Inc. bp): £5,980
Frieze fragment with bust of a male in animated pose, head tilted upwards and eyes wide open; the hair executed in successive curly waves around the thick brow, the broad nose merging into the small open mouth; short curly beard on the neck but face clean-shaven; with steel mounting rod beneath. 9.85 kg, 31 cm
Private collection of a sculptor, Munich; acquired in the 1970s on the Munich art market (Ohlendorf). Accompanied by an academic report by Dr Raffaele D'Amato. Accompanied by a copy of an Art Loss Register certificate no.S00044779. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12478-228802. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The subject seems to be a retainer of military commanders, usually represented on their sarcophagi in wild hunting parties where men, lions and boars fight. It is highly probable that the head was originally from a massive sarcophagus of a general, like the one in Palazzo Mattei in Rome. -
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Roman Marble Head of a Young Man
2nd-3rd century A.D.Estimate: £2,000 - 3,000 (‡+bp*)
Opening Bid: £1,111
Worked in high-relief with hairstyle typical of the transitional period from the Consulate to the Empire; oval face with a prominent forehead, oval eyelids and clearly defined lines around the eyes; hair arranged in vertical lines combed back from the forehead; pronounced lips, typical rendering of the wide auricles; the lower part of the tunic visible with a well defined round edge around the neck; mounted on a custom-made display stand. 5.94 kg total, 22.5 cm high including stand
Acquired from Gallery Gryphos, Munich, 1992. European private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11996-211878. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The head was probably pertinent to a series of funerary family portraits. It has realistic modelling of male features, which speaks of a portrait in reduced dimensions or a reference to a well-known person in the environment where it was exhibited. The portrait is worked only on the front, leaving the back, as well as the lower part of the sculpture, roughly treated.
