Roman Bronze Fist Pendant and Ear Scoop

Modelled in the round and carved in Parian marble, head of a male youth depicted turning slightly to his left, hair trimmed in the Julian style; with soft facial features and long neck; believed to be of Gaius Iulius Caesar Vipsanianus (20 B.C.- 4 A.D.); mounted on a custom-made stand. 17.4 kg total, 48 cm high including stand



Acquired on the London art market in the 1970s by the previous owner’s late father. with Christie’s London, 25 April 2007, no.260. UK private collection, London. Anonymous sale, Bonhams, London, 16 April 2015, no.130. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.163499-10061. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Gaius Caesar (20 B.C.-4 A.D.) and his brother Lucius Caesar (17 B.C.-2 A.D.) held significant positions in the political and dynastic plans of Emperor Augustus. Born to Augustus's daughter Julia and his advisor Marcus Vipsanius Agrippa, they were adopted by Augustus in 17 B.C. to become his heirs, since he lacked natural-born sons. Portraits of the brothers depict them as resembling Augustus, indicating their importance within the imperial family. Gaius's portraits were classified into five types, with this head identified as Type IV, likely created in 1 A.D. to celebrate his consulship. A similar portrait of Gaius exists in Corinth alongside his brother and Augustus. In 1 B.C., Gaius was appointed to govern the eastern provinces, where he successfully negotiated a peace treaty with King Phraates V of Parthia. However, tragedy struck when Gaius fell ill in Anatolia and died at 23 years of age, following the death of his brother Lucius. These deaths disrupted Augustus' plans for succession and led him to adopt Tiberius, his stepson, who eventually became emperor in 14 A.D.

Worked in high-relief with hairstyle typical of the transitional period from the Consulate to the Empire; oval face with a prominent forehead, oval eyelids and clearly defined lines around the eyes; hair arranged in vertical lines combed back from the forehead; pronounced lips, typical rendering of the wide auricles; the lower part of the tunic visible with a well defined round edge around the neck; mounted on a custom-made display stand. 5.94 kg total, 22.5 cm high including stand



Acquired from Gallery Gryphos, Munich, 1992. European private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11996-211878. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The head was probably pertinent to a series of funerary family portraits. It has realistic modelling of male features, which speaks of a portrait in reduced dimensions or a reference to a well-known person in the environment where it was exhibited. The portrait is worked only on the front, leaving the back, as well as the lower part of the sculpture, roughly treated.

Both with round-section body and grooved finials. 92 grams total, 67.6-72 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.