Roman Bronze Fishing Hook

Composed mainly of oblate beads with a larger feature bead, restrung with an elasticated string. 4.41 grams, 17 cm



Ex Ancient Art Shop, Windsor, UK, 1990s. Ex private collection.

With a piriform body with a dimple base, a long tubular neck with an everted rim. 194 grams, 18.2 cm



From an important London, UK, collection 1980-2020.

The toilet bottle corresponds to the Isling Form 28a or Vessberg flask type A.III.a. The transparent greyish green glass suggests that the object belongs to the Hayes' fabric 2 of Cypriot blown glass.

An oval intaglio depicting Mithras, a snake and a dog killing a bull, six stars on the field; set in a later gold ring; supplied with a museum-quality impression. 9.93 grams, 23.61 mm overall, 18.88 mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18)



English private collection. Reportedly acquired several decades ago in Covent Garden, London, still mounted in its original, heavily corroded iron ring; removed from this setting and remounted in a gold ring in recent years by the owner, a commercial airline pilot. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13325-28218.

The interpretation of the Mithraic tauroctony has long been the subject of scholarly debate. The Belgian historian of religions and orientalist Franz Cumont (1868–1947) was the first to propose that the scene should be understood as an astral allegory rather than a purely mythological episode. More recently, David Ulansey developed this hypothesis by interpreting the tauroctony as a symbolic representation of the precession of the equinoxes. In his reading, Mithras—identified with the constellation Perseus—embodies the supreme cosmic power capable of moving the sphere of the fixed stars, while the slaying of the bull symbolises the transition from one cosmic age to another, expressing Mithras' dominion over the celestial order itself.