Roman Bronze Decorated Armilla Bracelet

A mixed group of ceramic bullae, tesserae or theatre tokens bearing low-relief motifs, mainly consisting of profile busts of deities. 35 grams total, 14-20 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

The term 'tessera' was used in Roman times to convey the Greek term σύμβολον (token). Small tiles are known as tokens, often shaped like coins, made of metal (copper, lead, iron), clay, bone, wood, or glass, stamped as well as engraved. The tokens, however, are not exclusively coin-shaped, as the Latin term 'tessera' suggests by etymologically referring to a square or at least a four-sided shape and confirmed in several cases by material remains of the past. Tokens and tesserae seem to have been used both in Athens and Rome for the distribution of goods. According to written sources, the term token is identified with credentials of the official authorities. They have also been interpreted as tokens of identity, as entrance tickets to theatre performances, tribunals or assemblies of citizens, archival material of seal engraving, as pawns in games, Charon’s obols and even as amulets.

Mined in Greece, four irregular fragments cut and polished on one side, probably recycled material mined in ancient Roman times. 2.1 kg total, 7 - 30.5 cm



Acquired on the UK art market since the 1990s. From the private collection of a Somerset gentleman.

Also known as Lapis Lacedaemonius and Porfido Verde Antico, a type of green porphyry quarried in Greece. Spartan basalt is a form of andesite or volcanic rock known today only from a single source in the village of Krokees on the Peloponnese in Greece. In addition, ancient sources mention a quarry of Lapis Lacedaemonius in Taygetus.

Depicted nude in a contrapposto stance with the weight on his left leg, holding a club in the crook of his left hand with a lion-skin draped over the arm, and a cup in his right hand. 115 grams, 86 mm



Acquired in the 1980s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12615-234681.

This well-proportioned bronze statuette, perhaps of Gallo-Roman origin, was likely made for a private lararium, the domestic shrine found in many Roman homes. Although provincial in style, it is carefully modelled and has a strong presence. Unlike many similar figures, Hercules is shown here without a beard, and the upper part of the head was probably once covered by a laurel crown. Known to the Greeks as Herakles, Hercules was one of the most admired heroic figures in the Roman world, celebrated for his strength, endurance, and ability to overcome immense challenges. His famous Twelve Labours made him a lasting symbol of perseverance and triumph, and small bronze figures such as this would have brought not only mythological meaning into the home, but also a sense of protection, resilience, and personal devotion.