Roman Bronze Cosmetic Applicator

With intaglio bust of Fortuna in profile with one hand raised, cornucopia to the rear; supplied with a museum-quality impression. 0.69 grams, 10.09 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

Comprising three pairs of tweezers, each with linear decoration and one with a suspension loop. 23.6 grams total, 54-75 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.

Longer tweezers with serrated ends served as an essential component of surgical instruments for better and safer grasping of human tissue. Some of them had gripping arms that widened considerably downwards.

A mixed group of ceramic bullae, tesserae or theatre tokens bearing low-relief motifs, mainly consisting of profile busts of deities. 40 grams total, 16-21 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

The term 'tessera' was used in Roman times to convey the Greek term σύμβολον (token). Small tiles are known as tokens, often shaped like coins, made of metal (copper, lead, iron), clay, bone, wood, or glass, stamped as well as engraved. The tokens, however, are not exclusively coin-shaped, as the Latin term 'tessera' suggests by etymologically referring to a square or at least a four-sided shape and confirmed in several cases by material remains of the past. Tokens and tesserae seem to have been used both in Athens and Rome for the distribution of goods. According to written sources, the term token is identified with credentials of the official authorities. They have also been interpreted as tokens of identity, as entrance tickets to theatre performances, tribunals or assemblies of citizens, archival material of seal engraving, as pawns in games, Charon’s obols and even as amulets.