Roman Bronze Bracelet with Zoomorphic Terminals

Penannular in plan and rectangular in form with applied bands of filigree ropework to the outer edges, granule to each corner. 24.8 grams, 62 mm



From the old family collection of a West Country, UK, lady; acquired by descent from her grandfather circa 2001.

An oval intaglio depicting Mithras, a snake and a dog killing a bull, six stars on the field; set in a later gold ring; supplied with a museum-quality impression. 9.93 grams, 23.61 mm overall, 18.88 mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18)



English private collection. Reportedly acquired several decades ago in Covent Garden, London, still mounted in its original, heavily corroded iron ring; removed from this setting and remounted in a gold ring in recent years by the owner, a commercial airline pilot. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13325-28218.

The interpretation of the Mithraic tauroctony has long been the subject of scholarly debate. The Belgian historian of religions and orientalist Franz Cumont (1868–1947) was the first to propose that the scene should be understood as an astral allegory rather than a purely mythological episode. More recently, David Ulansey developed this hypothesis by interpreting the tauroctony as a symbolic representation of the precession of the equinoxes. In his reading, Mithras—identified with the constellation Perseus—embodies the supreme cosmic power capable of moving the sphere of the fixed stars, while the slaying of the bull symbolises the transition from one cosmic age to another, expressing Mithras' dominion over the celestial order itself.

A small pale yellow collared globular jug with short neck, angular ribbon handle with two narrow prominent ribs, folded upper attachment to the cylindrical neck, several horizontal lines on the globular body, trefoil mouth. 32 grams, 74 mm



with H.A.C., Basel, prior 1999.

These globular jugs were typical of the Eastern Mediterranean in the late Roman period. The body was often decorated with ornamental threads. The jugs were often used in a manner similar to pilgrim flasks, to collect oil and water from early Christian sanctuaries.