Roman Bone Bifacial Roundel with Imperial Bust of Maximinus II Daia and Inscription

Integral scaphoid bezel with female bust modelled in the round. 4.23 grams, 24.14 mm overall, 17.40 mm internal diameter (approximate size British G, USA 3 1/4, Europe 4.92, Japan 4)



Private collection, UK. Acquired on the English art market.

Dscoid in plan with enigmatic legend to obverse 'ΟΡωΡΙΟΥΘ', reverse with incised schematic uterus(?) and tendrils. 1.25 grams, 15 mm



Acquired on the European art market, from a collection formed in the 1990s. Property of a London, UK, antiquarian.

A mixed group of ceramic bullae, tesserae or theatre tokens bearing low-relief motifs, mainly consisting of profile busts of deities. 38.8 grams total, 15-22 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

The term 'tessera' was used in Roman times to convey the Greek term σύμβολον (token). Small tiles are known as tokens, often shaped like coins, made of metal (copper, lead, iron), clay, bone, wood, or glass, stamped as well as engraved. The tokens, however, are not exclusively coin-shaped, as the Latin term 'tessera' suggests by etymologically referring to a square or at least a four-sided shape and confirmed in several cases by material remains of the past. Tokens and tesserae seem to have been used both in Athens and Rome for the distribution of goods. According to written sources, the term token is identified with credentials of the official authorities. They have also been interpreted as tokens of identity, as entrance tickets to theatre performances, tribunals or assemblies of citizens, archival material of seal engraving, as pawns in games, Charon’s obols and even as amulets.