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LOT 0899
Roman Blue Glass Bangle Pair
CIRCA 4TH CENTURY A.D.
2 - 2 1/4 in. (20.4 grams total, 50-58 mm).
One flat-section with light blue ribbed outer face; the other flattened at the juncture with some iridescence remaining. [2, No Reserve]
ProvenanceFrom an old English collection.
Acquired from Helios Gallery in 2011.
Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. Kunstmuseum Luzern, 3000 Jahre Glaskunst, Luzern, 1981, p.103, letts.A,C, for similar bracelets.
FootnotesThe mass production of glass in ancient Rome prompted the development of glass jewellery of unique qualities. The ancient Romans considered jewellery to be an essential accessory, being a public display of the wealth of high social classes. Recent excavations have provided better information on the use of glass for necklaces and bracelets, and in some cases it has been possible to understand the exact arrangement of the jewellery.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Roman Agate Cameo of Augustus
1st century A.D.Estimate: £30,000 - 40,000 (‡+bp*)
Opening Bid: £15,000
Ellipsoid cameo with profile portrait bust in antique gold pendant frame with surrounding cabochons: emerald, sapphire, ruby - and clusters of pearls; marked to reverse '750', in a rectangle 'Bd G' (believed to be an upstate New York jeweller's stamp) and an indeterminate third mark; supplied with a custom-made display stand. 99 grams total, 92 mm including stand, pendant: 50 mm
American collection, early 20th century, New York. with Robert Haber Gallery, New York, 1990. Ex Jean Clostre, Geneva, Switzerland. Accompanied by a scholarly report by Dr Ittai Gradel. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12223-222312. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Dr Ittai Gradel says: 'The cameo, of exquisite technical quality, has a close parallel in the Cabinet des médailles, Paris .. The TimeLine auction cameo is not, however, an exact copy .. though details are so close to the larger Paris cameo that the same gem carver, or at least workshop, probably produced both.' -
Roman Green Glass Bead Necklace String
1st-4th century A.D. and laterSold for (Inc. bp): £104
Composed of variously shaped beads, restrung to a Y-shaped with larger feature beads. 9.58 grams, 33 cm
Acquired 1980-2015. Ex Abelita family collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Roman Glass Jar
4th century A.D.Sold for (Inc. bp): £111
Piriform in profile with flared neck and rolled rim, dimple base. 36 grams, 11.1 cm
Ex Helene Wackernagel-Wenk (1901-1979), Switzerland; thence by descent. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
These small jars were used as storage vessels. Their typology shows similarities with some material from Northern Black Sea region as well as with other glass finds found in Eastern Mediterranean settlements due to the decreasing variety of forms starting from the Late Roman Period, with whom they have similarities in colour, shape and typology. Helene Wackernagel-Wenk was a distinguished collector of art and antiquities, celebrated for her refined taste and commitment to preserving cultural heritage. Her collection encompassed a wide range of artefacts, reflecting her deep appreciation for the artistic and historical significance of ancient civilizations. Known for her meticulous curation, Wackernagel-Wenk’s legacy endures through the exceptional pieces that once formed part of her esteemed collection. Artefacts associated with her name are highly valued for their provenance and quality.
