Loading, please wait...
LOT 0910
Roman Black Glass Bead Necklace String
4TH CENTURY A.D. AND LATER
18 1/8 in. (9.93 grams, 48 cm).
Composed of mainly oblate beads restrung to a Y-shape. [No Reserve]
ProvenanceFrom the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For example of similar black Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs. 7 (esp.8,10,11), 8 no.14, 10b no.55.
FootnotesIn the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones). Green, blue-green, blue, yellow, and black drawn and rounded glass beads (like here) are late Roman types.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Roman Bronze Oil Lamp Lid with Face
1st-4th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
Domed lid with remains of ferrous pin on the hinge, modelled as a female face with neatly arranged hair framing the face. 69 grams, 63 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Mould-Blown Marbled Glass Flask
1st century A.D.Estimate: £1,000 - 1,400 (+bp*)
Opening Bid: £250
Wide body and tall tubular neck with everted rim, formed of marbled glass in shades of brown and white; restored. 80 grams, 10 cm
From the F.D. collection, 1990s. Ex Mayfair, London, UK, dealership. Ex collection of a London, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
This specimen belongs to the types of colour band piriform bottles of glass strips, fused and blown. After cooling, slices were cut from the rod cross-wise, then arranged side-by-side and fused together to create a multi-coloured and multi-patterned sheet of glass. Alternatively, the craftsman, instead of cutting the glass chords, could place them side by side and fuse them together in strips. -
Roman Bronze Statue of a Bear Killing a Deer
1st-2nd century A.D.Estimate: £1,000 - 1,700 (+bp*)
Opening Bid: £500
On a stepped triangular base, bear with head raised, forepaws round the neck of a deer with legs folded beneath the body. 398 grams, 10 cm
Nicolas Koutoulakis (1910-1996). Private collection of Mr K.A. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Combat between large animals was a popular theme in Roman art. The staging of such fights in the Flavian Amphitheatre in the heart of Rome is evidenced. Furthermore, the 3rd-4th century A.D. mosaic floor unearthed at Lod, Israel, in 1996 shows several scenes with ferocious wild animal - a lion and lioness, an elephant, a giraffe, a rhinoceros, a tiger, and a wild bull - all arranging themselves for a colossal fight to the death. The mosaic was lifted intact and is on display in the Metropolitan Museum of Art, New York.
