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LOT 0910
Roman Black Glass Bead Necklace String
4TH CENTURY A.D. AND LATER
18 1/8 in. (9.93 grams, 48 cm).
Composed of mainly oblate beads restrung to a Y-shape. [No Reserve]
ProvenanceFrom the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For example of similar black Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs. 7 (esp.8,10,11), 8 no.14, 10b no.55.
FootnotesIn the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones). Green, blue-green, blue, yellow, and black drawn and rounded glass beads (like here) are late Roman types.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Large Roman Bronze Statue of Venus
1st-2nd century A.D.Sold for (Inc. bp): £7,800
Modelled in the round, the goddess standing nude on a socle base and holding a frond in her extended left hand; right hand with thumb and forefinger extended; crown of oak leaves encompassing her chignon. 996 grams, 27.3 cm
with Sotheby's, New York, 7 December 1973, no.78. Private collection, London. Accompanied by copies of the relevant Sotheby's catalogue pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12819-241350. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Venus Anadyomene shows the birth of the Goddess of Love, conceived in the womb of the sea after the Titan Chronos castrated his father, Uranus, and cast his genitals into the water. Venus was born from the sea, fully grown. In ancient tradition, Aphrodite had her great sanctuary at Paphos, because it was here that she was thought to have risen from the water. Apelles, the great painter, was said to have painted the original, creating the prototype then imitated in paintings, sculptures, and across Graeco-Roman iconography. However, his work is now lost, and from the late 2nd century/early first century B.C. until the late antique period, the Anadyomene appeared in nearly every format imaginable. Like many other naked Aphrodites, the Anadyomene was not posed to conceal the body, but was naked and unashamed, exposing the goddess’ body to the gaze of the viewer. -
Roman Glass Bottle
3rd-4th century A.D.Sold for (Inc. bp): £130
With broad flange rim, tapering neck and globular body with narrow base. 27 grams, 82 mm
From the private collection of Kenneth Machin (1936-2020), Buckinghamshire, UK; his collection of antiquities and natural history was formed since 1948; thence by descent. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Spherical Glass Bottle
3rd century A.D.Estimate: £350 - 450 (‡+bp*)
Opening Bid: £175
With dimple base and five impressed dimples to the equator, tubular neck with flared and rolled rim. 74.5 grams, 15.2 cm
Ex W. Kern, Zurich, 1950s-1970s (d.1980s). Accompanied by a copy of an Art Loss Register certificate no.S00086750. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
