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LOT 0642
Roman Aubergine Glass Flask
1ST-3RD CENTURY A.D.
4 1/2 in. (19 grams, 11.5 cm).
With piriform body, dimpled base, tapering tubular neck with pinched and everted rolled rim.
ProvenanceFrom an important London, UK, collection, 1970-1990s.
LiteratureCf. Whitehouse, D., Roman Glass in the Corning Museum of Glass, vol.1, New York, 1997, item 236, for type.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0642
Roman Aubergine Glass Flask
Estimate £350 - 450€410 - 520 (for guidance only)$470 - 610 (for guidance only)
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Roman Bronze Putto Mount
2nd-4th century A.D.Sold for (Inc. bp): £26
Discoid mount with a central putto face modelled in the half round; pierced through the right side and stud to the reverse. 18 grams, 36 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. -
Roman Bronze and Silver Artefact Collection
2nd-4th century A.D.Sold for (Inc. bp): £52
Including head-stud brooch, enamelled pendant and other items. 34 grams total, 18-63 mm
From a private Barnsley, UK, family collection. -
Hellenistic or Roman Bronze Grotesque Figure
Alexandria, 1st century B.C.-3rd century A.D.Sold for (Inc. bp): £338
Modelled standing nude in a contorted pose with left arm raised and right hand on the hip, head tilted; mounted on a custom-made stand. 257 grams total, 11.5cm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
Rolland (p.104) notes that such grotesque 'pygmy' figures may have been intended as caricatures. They were already produced in Alexandria since the 1st century B.C., and considered to be charms against the evil eye. Beautiful statuettes of this typology are well known from the Roman period, perhaps produced in the workshops of Alexandria, Egypt, on the occasion of the visit of the Emperor Caracalla.
