Roman Aubergine Glass and Other Bead Necklace String

Discoid bezel from a finger ring with intaglio profile female bust with hair drawn back in a chignon; possibly based on a design for Queen Berenike. 14 grams, 25 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

A mixed group of ceramic bullae, tesserae or theatre tokens bearing low-relief motifs, mainly consisting of profile busts of deities. 43 grams total, 16-23 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

The term 'tessera' was used in Roman times to convey the Greek term σύμβολον (token). Small tiles are known as tokens, often shaped like coins, made of metal (copper, lead, iron), clay, bone, wood, or glass, stamped as well as engraved. The tokens, however, are not exclusively coin-shaped, as the Latin term 'tessera' suggests by etymologically referring to a square or at least a four-sided shape and confirmed in several cases by material remains of the past. Tokens and tesserae seem to have been used both in Athens and Rome for the distribution of goods. According to written sources, the term token is identified with credentials of the official authorities. They have also been interpreted as tokens of identity, as entrance tickets to theatre performances, tribunals or assemblies of citizens, archival material of seal engraving, as pawns in games, Charon’s obols and even as amulets.

Squat and shallow with broad base; pierced lug handle to rear and small stub nozzle; lateral spurs to shoulder; discus with low-relief quadriga; underside with 'CCLOD' maker's mark. 77 grams, 11.2 cm



From the private collection of Mr Brian Edwards, New Malden, Surrey, UK, formed from the late 1970s-early 1980s; thence by descent.

The mark 'CCLOD' appears in the Index of Signatures and Inscriptions for the J. Paul Getty Museum on a late 1st century lamp (Accession No. 83.AQ.377.96).