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LOT 0653
Roman Aqua Glass Jug
1ST-4TH CENTURY A.D.
5 1/2 in. (57 grams, 14 cm high).
With rounded conical body, upward sloping everted rim with sloping internal face; applied trail to upper and lower neck, angular handle; iridescent surfaces; repaired.
ProvenanceAcquired early 1990s.
Ex private American collection; thence by descent.
Private collection since 1998.
Cf. The Corning Museum of Glass, accession number 6.1.4, for a broadly comparable jug.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Roman Marble Head of Youthful Eros, the Greek God of Love
2nd-3rd century A.D.Sold for (Inc. bp): £11,700
Carved in the round as a bust of a child with youthful face, wide cheeks, slightly opened mouth with full lips, almond-shaped eyes, chipped nose; curly hair combed on the top of the head; mounted on a custom-made display stand. 9.95 kg total, 34 cm including stand
Collection of Mr and Mrs A., in their private mansion near the Champs-Élysées; thence by descent. Acquired on the French art market, 2024. Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13109-249674.
The finely sculpted head represents a young child, probably intended as Eros (Cupid). Such depictions were produced in numerous variations to illustrate the stages of childhood and the capacity of children to undertake meaningful or symbolic actions. The softly modelled features and gentle expression recall the celebrated work of Boethos', The Boy Strangling the Goose, as well as the widespread images of Eros and the Erotes found throughout Graeco-Roman sculpture and painting. In Graeco-Roman art, representations of children occupied an important and evolving role. Initially, youthful figures were portrayed as miniature adults, but from the 4th century BC onwards - particularly during the Hellenistic and Roman periods - artists began to study children’s anatomy more closely, reproducing their characteristic proportions and expressions with naturalistic sensitivity. The figure of Eros, the constant companion of Aphrodite, became the quintessential model of the child in ancient art, identifiable by his traditional attributes of wings and bow. As evidenced by numerous statuettes and wall paintings unearthed at Pompeii, scenes of childhood were among the most popular subjects for adorning the gardens and interiors of wealthy Roman villas. These figures appear in lively and varied activities - playing, working, performing, or interacting with animals such as birds, hares, and dolphins - celebrating both the charm and vitality of early life within an idealised artistic vision. -
Roman Gold Artefact Collection
Circa 1st-4th century A.D.Sold for (Inc. bp): £182
Including a pendant bulb, granulated spacer bead and other items. 2.3 grams total, 7-21 mm
From an old English collection, 1980s. -
Roman Gold Ring with Cabochon Garnet Gemstone with the Goddesses Athena and Nike
1st-3rd century A.D.Sold for (Inc. bp): £1,950
Hollow-formed hoop with broad plaque, inset cabochon with incuse standing opposed figures of Athena and Nike; supplied with a museum-quality impression. 5.75 grams, 26.40 mm overall, 19.16 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)
Private collection, England.