Roman and Sasanian Style Gemstone Group

Composed of alternating quadrilateral tabular and grooved cylindrical beads interspersed with small glass oblate beads; restrung. 32.8 grams, 46 cm



Ex London art market. Property of a North London, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Rectangular window glass in lead cames with painted image of St. Leodegar standing in a wooded landscape wearing his episcopal mitre and robes, heater shield at bottom; wooden frame; damaged, the glass elements conserved and available for restoration. 6 kg total, 97 cm high



Collection of Lord Sudeley, Toddington Manor, Gloucestershire. with Schweizer Glasmalereien Vorwiegend des XVI & XVII Jahrhunderts, Munich, Hugo Helbing, 4 October 1911, no.7. UK Trade, 2018. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12567-230649. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Leodegar of Poitiers (c. 615 – October 2, 679 AD) was a Burgundian noblemen and Bishop of Autun, son of Saint Sigrada and brother of Saint Warinus. He was an opponent of Ebroin, the Frankish Mayor of the Palace of Neustria, who arranged for him to be blinded and have his tongue cut out. He was later made a martyr and canonised. Lord Sudeley's collection at Toddington Manor, Gloucestershire, was a treasure trove of Gothic Revival architecture, art, and history, reflecting his deep involvement in the manor's design with over 580 architectural drawings. His collection boasted exquisite 17th-century tapestries, heraldic stained glass, and historical artefacts that chronicled the family's lineage, including links to significant English historical events. Financial difficulties led to the dispersal of these items through auctions, yet the legacy of Toddington Manor endures as a testament to one of Britain's cultural and architectural gems.

Ellipsoid plaque with baroque-inspired putto ornament, the head modelled in the round and painted in pink and auburn tones, face tilted downwards; robe, upper body and wings modelled in high relief with left arm held straight at the side and right arm bent, hand on the chest; feather detailing to wings; pierced either side of the shoulders for suspension; knop to reverse of head and hole to void. 833 grams, 29.5 cm



From a Cambridgeshire, UK, collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.